The Thrity-Seventh Asilomar Conference on Signals, Systems &Amp; Computers, 2003
DOI: 10.1109/acssc.2003.1292009
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Acoustic scene analysis using estimated impulse responses

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Cited by 22 publications
(15 citation statements)
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“…The other reason is that the source-to-receiver configuration changes, i.e., the source-to-receiver distance or the directivity (or orientation) of the sound source changes. Larsen et al [27] present a method for estimating the direct-to-reverberant ratio based on partial knowledge of a monaural room impulse response, i.e., timing and relative amplitudes of the direct sound and the few first reflections are known. They assume that this information is first obtained with other preprocessing methods.…”
Section: Previous Workmentioning
confidence: 99%
“…The other reason is that the source-to-receiver configuration changes, i.e., the source-to-receiver distance or the directivity (or orientation) of the sound source changes. Larsen et al [27] present a method for estimating the direct-to-reverberant ratio based on partial knowledge of a monaural room impulse response, i.e., timing and relative amplitudes of the direct sound and the few first reflections are known. They assume that this information is first obtained with other preprocessing methods.…”
Section: Previous Workmentioning
confidence: 99%
“…Reverberation time, which is related to room volume, is calculated from the damping characteristic of the impulse response measured by one microphone in a room [3,4]. Binaural room impulse response can also be used [5][6][7][8][9]. The conventional impulse room response is actively detected, so the measurement is noisy and interferes with our living environments.…”
Section: Introductionmentioning
confidence: 99%
“…As the focus in this paper is the estimation of the decay rate ρ, the noiseless CRB, i.e., (8), is here used for benchmarking the estimation performance of all considered estimators.…”
Section: The Instantaneous Powermentioning
confidence: 99%