“…The acoustics of historically significant sacred spaces has long attracted the interest of researchers seeking initially to identify and later to preserve their characteristic sound fields (Cirillo and Martellotta, 2005;Kleiner et al, 2010). Previous studies have focused on the sound field analysis of churches (Pedrero et al, 2014;Luigi and Martellotta 2015;Giron et al, 2017), basilicas (Martellotta, 2009;Martellotta, 2016), cathedrals (Su arez et al, 2015;Alvarez-Morales et al, 2016;Martellotta et al, 2018;Anderson and Anderson, 2000), and mosques (Abdelazeez et al, 1991;Abdou, 2003;Su arez et al, 2018;S€ u and Yılmazer, 2008;S€ u G€ ul and C ¸alıs ¸kan, 2013a,b;S€ u G€ ul et al, 2014). Research has also been conducted on the virtual reconstruction of sacred spaces with a view to archiving their intangible heritages and comprehending their architectural and acoustical evolution over time (Su arez et al, 2005(Su arez et al, , 2018Alonso et al, 2018;D'Orazio et al, 2020).…”