Accius, Porcius Licinus, and the Beginning of Latin Literature

Welsh, Jarrett T.

doi:10.1017/s0075435811000025

Cited by 3 publications

(2 citation statements)

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“…On the specification of scribae (both as librarii and poetae) as mercenarii and artifices, see Romano (1990), 14-30. For the effects of Festus' testimony on chronology, see Welsh (2011), 34-7 with further bibliography. For further evidence regarding the hymn and the circumstances surrounding it, see Livy 27.37.13. establishment would have included a supply of Greek books.…”

Section: Books In Late Third-and Early Second-century Bce Romementioning

confidence: 99%

Traces of Philology in Mid-Republican Latin Poetry

Sciarrino

2019

Ramus

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Section: Books In Late Third-and Early Second-century Bce Romementioning

confidence: 99%

Traces of Philology in Mid-Republican Latin Poetry

Sciarrino

2019

Ramus

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“…23 The Ludi Romani took place at the Ides of September and included the ludi scaenici and the ludi circenses at the Circus Maximus. 24 Welsh (2011) 32-38. 25 Cf.…”

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confidence: 99%

Shaping the (Hi)story of Innovation: Livius Andronicus as the First Poet of Latin Literature

Wessels¹,

Vöhler²,

Alekou³

et al. 2021

Concepts and Functions of Philhellenism

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From our modern perspective, 1 there is little doubt that Roman literature -specifically at its very beginning -greatly imitated Greek models. 2 In his recently published monograph Beyond Greek: The Beginnings of Latin Literature, Denis Feeney even goes so far as to assume the prevalence of a "Roman translation project". 3 The ancient reception of early Roman literature seems to support this view: the first Roman epic, Livius Andronicus's Odusia, was considered to be a mere translation of the Homeric Odyssey; 4 Ennius's statement that he had been inspired by Homer and Sleep 5 was understood as a claim to be a "second Homer" (alter Homerus); 6 and if  1 My thanks to John Hamilton, Bettina Full, the research groups 'Nachleben der Antike' and 'Anchoring Innovation' and the participants of my Research Master Seminar on (Per-)Forming Comedy, Leiden 2015. 2 Cf. e.g. Kramer (1997) 130: "So wie die lateinische Literatur in Nachahmung der griechischen Literatur entstand, so bewegt sich auch die lateinische Literatursprache in einem engen Abhängigkeitsverhältnis von der griechischen Literatursprache." 3 Feeney (2016) ch. 2, 45-64. 4 In his famous passage on imitatio, written at the very end of the first cent. AD, the rhetorician Quintilian -when pleading for a technique of productive and creative imitation -admits that Livius Andronicus had introduced something. However, he disqualifies him from being a good poet, respectively from producing a good imitation (which should include new aspects): "Once again, what would have happened if no one had achieved more than the man he was following? We should have nothing in poetry better than Livius Andronicus" (Quint. Inst. 10.2.7: quid erat futurum si nemo plus effecisset eo quem sequebatur? Nihil in poetis supra Livium Andronicum [...] haberemus). Cf. n. 29. 5 According to Fronto de Eloq. 146 N., Ennius' instructors were Homer and Sleep (magister Enni Homerus et Somnus); according to Cic. Ac. Pr. 2.16.51, Homer the poet appeared at his side, when Ennius dreamed: Cum somniavit [sc. Ennius] narravit visus Homerus adesse poeta (= Enn. Ann. frg. 3 Skutsch). 6 Cf. e.g. Hor. Epist. 2.1.50-51f.: Ennius et sapiens et fortis et alter Homerus / ut critici dicunt ("Ennius, the wise and valiant, the second Homer, as literary scholars say"). Ennius' statement has been read as a claim to be the reincarnation of Homer, see Porphyrio ad loc., Rudd (1989) 83 (comm. ad Hor. Epist. 2.1.51-52), andSuerbaum (2012) 188. However, this seems to be a rather late construction. The fragments themselves give a quite different impression: "[W]hatever we might be missing in terms of lost narrative parallels with Homer in the Annales, Ennius does not come close to this [sc. Virgil's engagement with Homeric epic]. In Bloom's terms, there is no great agon." (Goldsmith 2013, 14).

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Terence Interrupted: Literary Biography and the Reception of the Terentian Canon

Davis¹

2014

ajp

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Inconsistent and contradictory accounts of Terence’s death conclude his biography in Suetonius’ De Viris Illustribus . Many of these narratives originated in the work of scholar-poets active at the end of the second century b.c.e. This article shows that the numerous versions of his death are interpretations of the formation of his canon from the retrospective viewpoint of his late second-century readers. These death scenes dramatize the construction of Terence’s literary legacy in its reception. Furthermore, they elucidate the role that the nascent genre of Roman literary biography played in enacting and articulating literary-critical debates among Terence’s readers.

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Accius, Porcius Licinus, and the Beginning of Latin Literature

Cited by 3 publications

References 8 publications

Traces of Philology in Mid-Republican Latin Poetry

Traces of Philology in Mid-Republican Latin Poetry

Shaping the (Hi)story of Innovation: Livius Andronicus as the First Poet of Latin Literature

Terence Interrupted: Literary Biography and the Reception of the Terentian Canon

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