Abusive Narratives: Antjie Krog, Rian Malan, and the Transmission of Violence

Abstract

In appraisals of Antjie Krog's Country of My Skull, critics reiterate the failures of the South African Truth and Reconciliation Commission (TRC) and criticize Krog's use of victim testimonies. Critics have paid particular attention to the ways in which Krog moves between multiple subject positions as a white South African woman, a journalist, and an Afrikaner. These conflictual positionings are, in part, held responsible for what is seen as her inability to deal critically with the failures of the TRC. While there is certainly merit to these readings of Krog, this essay explores methods of reading Krog's memoir beyond her controversial use of testimonies. As a radio journalist, Krog captures the importance of media processes in constituting sites of witnessing. Specifically, she underlines the importance of the broadcast system that carried out the testifying voice and created communities of listeners. In reading Country of My Skull alongside Rian Malan's My Traitor's Heart, another contentious memoir about apartheid, I suggest that narratives reporting the aftermath of violence on people may inherently always betray victims since writers and readers invariably move to forms of closure. It is important then that readerly sensibilities to apparatuses of transmission are interrogated.

Poetic devices as part of the trauma narrative in Country of My Skull

“…Garman (189) names Krog's close attention to sound as one of the characteristics of her poetry into journalism in Country of My Skull. Taiwo Osinubi (2008) specifically discusses the use of sounds as metaphor in Country of My Skull. The role of listening and the ear in her experiences as secondary witness to the testimonies of trauma also plays an important part.…”