About Actual Correcting of the Sense in First Piano Concerto of A. Glazunov

Androsova, Daria; Markova, Elena Nikolaevna

doi:10.29013/eja-20-2-79-82

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“…In particular, there is a critical interpretation in the tradition of musical hermeneutics and interpretation as performance. This statement clearly shows the correlation between the content and form of a piece of music, which is important for maintaining harmony and balance (Androsova & Markova, 2020). Special attention is paid to the presence of a transcendental factor in the form of an idea.…”

Section: Resultsmentioning

confidence: 83%

Historical Hermeneutics of Musical Styles

Маркова¹,

Androsova²,

Muravska³

et al. 2021

rupkatha

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The relevance of the study of the historical hermeneutics of musical styles is determined by the need to find a philosophical basis for changing the cultural paradigm and the desire to return classical canons to musical art in particular. The aim of the work is to analyse the characteristic features of the interpretation of musical styles in accordance with the principles of historical hermeneutics on the example of jazz music. The research was conducted in two stages on the basis of interdisciplinary, systematic and hermeneutical approaches using general scientific methods of cognition: analysis, synthesis, systematization, comparison and ascent from the abstract to the concrete. In the process of scientific research, the views of researchers on the interpretation and understanding of hermeneutics in the context of musical art were considered; a general characteristic of the hermeneutics of musical styles in accordance with historical and philosophical prerequisites was given; the main elements of the theoretical model of musical philosophy of interpretation, which include critical interpretation, the purpose of interpretation, compatibility with description and limitation by requirements were described; the author’s concept of interpretation of musical styles, formed at three levels, were proposed; the characteristics of the hermeneutics of jazz style, in particular the presence of musical improvisational discourse, historical duality, transcendentality of content and form, advertising integration are determined; the article summarizes the specifics of jazz in accordance with two components: the European harmonic system and the fret principles of blues intonation, which made it possible to identify and generalize the theory of interpretation of jazz in the historical and philosophical paradigm. The practical value of scientific work consists in providing a comprehensive hermeneutical base of jazz style in order to further improve the practical application of musical style by teachers, students, musicians and specialists in the field of musical art.

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Section: Resultsmentioning

confidence: 83%