Abstract:Chapter 1 interweaves the speech recordings of the Senegalese speaker Abdoulaye Niang with the history of acoustic recording as a practice of colonial knowledge production Germany. Holding these two strands together, the chapter challenges the tale of the Lautarchiv in Berlin as a result of the achievements of German linguists and the introduction of the phonograph. Abdoulaye Niang is presented as one of the makers of the archive. This decolonial strategy of listening allows us to hear Niang’s articulations of… Show more
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