Organizing Anarchy 2020
DOI: 10.1163/9789004408739_014
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A Wrap: Organizing Anarchism

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Cited by 4 publications
(7 citation statements)
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“…Not only is anarchism attracting renewed interest in an era of diminished hopes, lack of faith in politics, the decline of neoliberal legitimacy and financial crisis (Bowen and Purkis, 2004;Purkis and Bowen, 2004;Springer, 2013) but punk itself is said to remain a critical and oppositional culture and identity, making punk's utopian sensibilities of contemporary relevance (Donaghey, 2020b;Wilkinson, 2016). On the other hand, punk has also been critiqued for commodification and elitism, having morphed into more of a comfortable counterculture than a biting political force (Donaghey, 2020a;Shantz, 2020;Worley, 2017). Today, in an era again tainted with divisions based on national identity, the 50th anniversary of the start of the Troubles in 2019 served as a stark reminder of the implications of an escalation of socio-political disagreements.…”
Section: Discussionmentioning
confidence: 99%
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“…Not only is anarchism attracting renewed interest in an era of diminished hopes, lack of faith in politics, the decline of neoliberal legitimacy and financial crisis (Bowen and Purkis, 2004;Purkis and Bowen, 2004;Springer, 2013) but punk itself is said to remain a critical and oppositional culture and identity, making punk's utopian sensibilities of contemporary relevance (Donaghey, 2020b;Wilkinson, 2016). On the other hand, punk has also been critiqued for commodification and elitism, having morphed into more of a comfortable counterculture than a biting political force (Donaghey, 2020a;Shantz, 2020;Worley, 2017). Today, in an era again tainted with divisions based on national identity, the 50th anniversary of the start of the Troubles in 2019 served as a stark reminder of the implications of an escalation of socio-political disagreements.…”
Section: Discussionmentioning
confidence: 99%
“…With the intertwining of anarchism and punk long recognised, and punk now commonly described as a subculture of anarchism (Donaghey, 2020a;Shantz, 2020), the past decade has seen calls for revitalised theorising with respect to anarchist geographies (Springer, 2013) and further interrogation of the relationship between punk and anarchism (Donaghey, 2020a). Anarchism is an especially difficult ideology to define (Franks, 2013), with internal differentiations commonly drawn with respect to its characterisation as individualist or social, its orientation to class or lifestyle issues, and its application to feminist, black, queer and other specific forms of oppression (Donaghey, 2020a(Donaghey, , 2020bShantz, 2020, Williams, 2007Worley, 2017). Punk, which celebrated its 40th anniversary in 2016 (Stewart, 2019), is similarly diverse in its definition and expression, with some forms engaging to different degrees with critiques of class and counter-culture utopianism (Wilkinson, 2016), punk in the UK being deemed more explicitly political than in the USA (Worley, 2017), and punk being variously considered to be defined from without, for example by the (music) media (Worley, 2017) or from within, as a coming together of likeminded individuals as an implicit religion (Stewart, 2022a(Stewart, , 2022b.…”
Section: Introductionmentioning
confidence: 99%
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“…These structures function specifically to allow this mode of organization to dominate, by perpetually reinventing itself to favor consumerism. It is important to note that despite this, our societies also function based on mutual aid, since capitalism relies on a gendered division of labour to ensure that care work, like childcare and elder care, is done in the home and allows the labor market to function efficiently (Federici, 2019; Shantz, 2020).…”
Section: Mutual Aid Today According To Dean Spadementioning
confidence: 99%
“…History shows that any radical belief comes with some sort of violence. On the other hand, as the anarchist Mikhail Bakunin famously wrote in 1842 (Shantz, 2010), "the passion for destruction is a creative passion," that is, destruction hides a call to build new realities. With both these viewpoints in mind, Wilde's nonmimetic conception of art as archetype can be applied to reconsider texts such as Cesare Pavese's Among Women Only (1949) and Sylvia Plath's The Bell Jar (1963), the former merely labeled as 'personal' and the latter as a 'semiautobiographical' novel.…”
mentioning
confidence: 99%