1996
DOI: 10.1353/aq.1996.0023
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A Wound of One's Own: Louisa May Alcott's Civil War Fiction

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Cited by 15 publications
(1 citation statement)
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“…Nelson asserts that “Civil War-era texts habitually register this cultural pressure to conform to an ideal, gendered literacy, a phenomenon indicative of the complex interaction of gender coding and the deployment and negotiation of power”22 (p. 44). This view is qualified, if not contradicted, however, by Elizabeth Young who contends that from Harriet Beecher Stowe to Margaret Mitchell, “novels frame the literary genealogy of the Civil War so powerfully as to dominate popular, if not scholarly, understanding of the war…the Civil War novel was feminised from the start by the figure of the female author”23 (pp. 439–474).…”
Section: Gendered Pagesmentioning
confidence: 99%
“…Nelson asserts that “Civil War-era texts habitually register this cultural pressure to conform to an ideal, gendered literacy, a phenomenon indicative of the complex interaction of gender coding and the deployment and negotiation of power”22 (p. 44). This view is qualified, if not contradicted, however, by Elizabeth Young who contends that from Harriet Beecher Stowe to Margaret Mitchell, “novels frame the literary genealogy of the Civil War so powerfully as to dominate popular, if not scholarly, understanding of the war…the Civil War novel was feminised from the start by the figure of the female author”23 (pp. 439–474).…”
Section: Gendered Pagesmentioning
confidence: 99%