2014
DOI: 10.1177/1477153514555536
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A study of preferred colour rendering of light sources: Home lighting

Abstract: This paper is part of a project to establish the optimal spectral power distributions of LED light sources for use in offices, commerce and homes. The present paper introduces the most important aspects of home lighting and provides recommendations for optimum spectra in the home environment. Visual experiments were carried out in a real scale kitchen/dining room and in a living room environment with the participation of nearly 100 observers. Results have been evaluated with the help of the analytic hierarchy … Show more

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Cited by 31 publications
(28 citation statements)
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“…This statement highlights the superiority of the real scene experiments, where the psychophysical studies were conducted under immersive conditions. 14,17,[20][21][22][23][24] Meanwhile, contrary to the real scene experiments which focus on certain targeted cases, the proposed empty-light-booth approach could serve as a universally applicable method for characterizing the colour preference of lighting for general conditions.…”
Section: Resultsmentioning
confidence: 99%
“…This statement highlights the superiority of the real scene experiments, where the psychophysical studies were conducted under immersive conditions. 14,17,[20][21][22][23][24] Meanwhile, contrary to the real scene experiments which focus on certain targeted cases, the proposed empty-light-booth approach could serve as a universally applicable method for characterizing the colour preference of lighting for general conditions.…”
Section: Resultsmentioning
confidence: 99%
“…In this case, we would like to conclude that unlike lighting fidelity which should be correlated with certain reference light source, colour preference is to some extent an absolute issue and thus should be quantified by some absolute measures. Another possible explanation for the results in Figure 5 is that colour preference is correlated with saturation 22,32,37 while the increased gamut area is always related to saturation (or chroma) enhancement 6,9,21,23,53 . Maybe that is why in some related works 2,11,23 the GAI was reported to be a good predictor for colour preference (the CDI and CSA are also gamut based metrics, but were less discussed in past studies).…”
Section: Correlation Analysismentioning
confidence: 95%
“…Such a design may unpremeditatedly help to reveal the influence of other contextual factors on colour preference, since it relatively weakens the impact of light when compared to the conditions where CCT differs. However, unlike colour fidelity, colour preference should not be restricted by a reference light source, since in many cases people actually want to choose a favorite light irrespective of the CCT 4,26,[33][34][35][36][37] . Secondly, the experimental object is also an important concern.…”
Section: Introductionmentioning
confidence: 99%
“…In order to confirm the excellent predictive performance of the new metric proposal, the experimental data of several different psychophysical studies on the perception of colour preference in metameric and multi-CCT lighting scenarios were collected (Jost-Boissard 2009, Jost-Boissard 2015, Wei 2014, Szabó 2016, Smet 2010a, VanRie 2009, Imai 2012, Imai 2013, Jost 2013, Tsukitani 2013, Lin 2016, Houser 2005, Huang 2018, Narendran 2002, Wang 2017) and a comprehensive meta correlation-analysis as proposed by Hunter and Schmidt (Hunter 2004) was eventually performed on these data to evaluate and compare the predictive power of the MCPI in terms of visual appreciation with those of other colour quality metrics. These included Sanders' preferred colour index (Sanders 1959a), Judd's flattery index .…”
Section: Results Of the Meta-correlation Analysismentioning
confidence: 99%