A Second Flowering: Works and Days of the Lost Generation.

Beebe, Maurice; Cowley, Malcolm

doi:10.2307/2924698

Cited by 7 publications

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Hemingway, Style, and the Art of Emotion

Wyatt

2015

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In Hemingway, Style, and the Art of Emotion, David Wyatt shows that the work of Ernest Hemingway is marked more by vulnerability and deep feeling than by the stoic composure and ironic remove for which it is widely known. This major reassessment of the shape of Hemingway's career recovers the soul of the author's work, revealing him as a multifaceted writer rather than a cold, static icon. Wyatt claims that Hemingway's famous early style does not embrace emotional reticence but works instead to measure the cost of keeping thoughts and feelings under the surface. By the early 1930s Hemingway also turned away from the art of 'the omitted' and began to develop a vision and style more accommodating of the awkwardness and embarrassments of everyday life. Relying on a thorough knowledge of the vast archive Hemingway left behind at his death, this book shows Hemingway as a thoroughly complex and transmutable figure.

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Hemingway, Style, and the Art of Emotion

Wyatt

2015

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Transforming Frederic Henry's War Narrative: In Einem Andern Land and Translational Embellishment

Dick¹

2012

hem

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This article analyzes the translational shifting in In Einem Andern Land , Annemarie Horschitz's 1930 German translation of Ernest Hemingway's A Farewell to Arms . Horschitz, ostensibly influenced by a desire to have her translation conform to German literary traditions and the expectations of her German readers, embellishes Hemingway's understated prose, especially language associated with the war. The result in the translation is an altered portrayal of Frederic Henry and a weakening of the novel's critique of hyperbolic rhetoric.

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Traumatizing Arcadia: Postwar Pastoral in The Sun Also Rises

Cannon¹

2012

hem

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Much WW I literature uses pastoral themes to rebuke the war, to represent the tendency of repression, and to express traumatic moments reexperienced by those in the trenches and at home. In The Great Gatsby and Parade's End, pastoral communicates questions concerning progress and postwar optimism felt by characters who work to recover the past, reconstruct the future, and repress the presence of the war and its consequences. However, Ernest Hemingway's The Sun Also Rises subverts pastoral's retreat-return structure in order to emphasize moments of traumatic re-emergence and to counter any idea of repression and recovery.

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A Second Flowering: Works and Days of the Lost Generation.

Cited by 7 publications

References 0 publications

Hemingway, Style, and the Art of Emotion

Hemingway, Style, and the Art of Emotion

Transforming Frederic Henry's War Narrative: In Einem Andern Land and Translational Embellishment

Traumatizing Arcadia: Postwar Pastoral in The Sun Also Rises

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