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In this sense, post-race is predicated on its opposite—on old school racist tropes of violent, threatening blackness against which post-racial “all stars” like Sherman arise to signify the antidote: An individualized capacity to divest themselves of stereotyped blackness in favor of “positive” portrayals that remain tethered to the same ideologies that fuel overt racism. (p. 294)…”
In this sense, post-race is predicated on its opposite—on old school racist tropes of violent, threatening blackness against which post-racial “all stars” like Sherman arise to signify the antidote: An individualized capacity to divest themselves of stereotyped blackness in favor of “positive” portrayals that remain tethered to the same ideologies that fuel overt racism. (p. 294)…”