Opened in 1999, the Toronto Music Garden is a unique public park on the waterfront of Toronto. Conceived and designed by renowned cellist Yo-Yo Ma and landscape designer Julie Moir Messervy, the garden is inspired by the first of the Six Suites for Unaccompanied Cello composed by J. S. Bach circa 1720 (Siblin, 2009). By addressing the ways in which the Music Garden was conceived, designed, and is experienced, this paper makes a unique contribution to discussions of how the arts can be used to reimagine post-industrial urban spaces.Several lines of inquiry steer this discussion of the Toronto Music Garden. First, this paper seeks to understand the ways in which Julie Moir Messervy and Yo-Yo Ma sought to translate Bach's music into a garden design. Second, the