A perlaboração da contratransferência e o processo de alucinação do psicanalista como recursos das construções em análise

Abstract

The question that originated this research arose from the clinic, field of investigation and heartland of work of the psychoanalyst. When observing the change in psychic constellations that are appearing in the practice, and verifying the limits that the classical technique imposes to the psychoanalytical´s listening, it became necessary to know other theories and techniques that would allow the amplification of the clinical sensitivity, seeking, via countertransference, a way of listening to the psychic contents of patients with failure in the process of symbolization.The research work aimed at developing and sustaining the thesis that the perlaboration of the countertransference can be an important resource that makes available to the analytical work the material necessary to perform constructions in analysis of thing representations. The arguments are constructed in three stages: approximation of the concepts of countertransference and perlaboration, underpinning the first proposition of the thesis of perlaboration of countertransference; presentation of the theoretical contributions on the concept of countertransference, developed by post-Freudian authors, and description of psychoanalytic work, throwing light on the analyst's metapsychology, precisely composed by the psychic processes involved in the perlaboration of countertransference, namely, empathy, projective identification in its communicative and rêverie forms.We understand that these three concepts working together allow us to underpin the aesthetic dimension of countertransference, which, through the work of the analyst, provides material to achieve the necessary figurability of primary symbolizations. This is the last step of the thesis, which is to underpin the proposition that the perlaboration of the countertransference is a sine qua non stage of the constructions in the analysis. The work model that we propose as a paradigm for this way of psychoanalysis is Gradiva's, who finds in its own hallucination the form of recalling and perlaboration of the representational chains interrupted in the psychism of Hanold. The arguments were developed from the following clinical histories of wellknown authors in psychoanalysis: the Man of the Wolves, the analysis of Margareth Little with Winnicott, the case of mutual analysis of Elizabeth Severn and, finally, Didier case of the psychoanalyst Julia Kristeva.The course led us to contribute with the scientific field since three points: to comprehend how the psychoanalyst achieves this work; to elevate countertransference to an aesthetic dimension, which aims to give form and meaning when there are flaws in these aspects in the analysand, and, above all, to recover the concept of hallucination as a process of recalling, which is understood as the matrix of symbolic creation.