1963
DOI: 10.1080/03637756309375363
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A palmar sweat investigation of the effect of audience variation upon stage fright

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Cited by 15 publications
(5 citation statements)
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“…The lack of a main audience effect with the finger sweat print measure is contradictory to Bode and Brutten's (1963) findings. They were able to show recoveries in finger sweat print response over adaptation levels when audience instructions were systematically introduced in a series of public speaking experiences.…”
Section: Discussioncontrasting
confidence: 58%
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“…The lack of a main audience effect with the finger sweat print measure is contradictory to Bode and Brutten's (1963) findings. They were able to show recoveries in finger sweat print response over adaptation levels when audience instructions were systematically introduced in a series of public speaking experiences.…”
Section: Discussioncontrasting
confidence: 58%
“…It was reasoned that an instruction condition is a better controlled variable, administratively less difficult to create, and more easily replicated in other laboratories. Second, Bode and Brutten (1963) used this type of manipulation, and, to an extent, this study is a partial replication of their research.…”
Section: Methodsmentioning
confidence: 89%
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“…Speakers exhibit more cognitive, physiological, and behavioral anxiety when exposed to audiences of greater size and expertise (Bode & Brutten, 1963;Hillmert, Christenfeld, & Kulik, 2002;Long, Lynch, Machiran, Thomas, Public Speaking Anxiety 81 & Malinow, 1982;McKinney et al, 1983;Seta, Crisson, Seta, & Wang, 1989, Experiment 1;Shearn, Bergman, Hill, Abel, & Hinds, 1992) as well as when audiences responded negatively (Bassett, Behnke, Carlile, & Rogers, 1973;Hillmert et al, 2002;Pertaub, Slater, & Barker, 2002) or in a neutral manner (Lepore, 1995;Lepore, Allen, & Evans, 1993;MacIntyre, Thivierge, & MacDonald, 1997) during the speech, compared to audiences who responded in a positive manner (for an early review see Gardiner, 1971). In a more comprehensive study, Ayres (1990) The AIM is a 40-item scale measuring the ''general level of reactivity to emotional experiences'' (Clay et al, 2005, p. 99).…”
Section: State Psa Responding At One or More Characteristic Eventsmentioning
confidence: 99%
“…Performers' emotions vary with the presence/absence of an audience (e.g. real, virtual and imagined: Bode & Brutten, 1963, Zajonc & Sales, 1966Bond & Titus, 1983;Kelly et al, 2007;André et al, 2014), its composition (e.g. sex, level of expertise, familiarity: Garland & Brown, 1972;Cohen & Davis, 1973;MacIntyre & MacDonald, 1998), spatial location (e.g.…”
Section: Introductionmentioning
confidence: 99%