A “New Middle East” Following 9/11 and the “Arab Spring” of 2011?—(Neo)-Orientalist Imaginaries Rejuvenate the (Temporal) Inclusive Exclusion Character of Jus Gentium
Abstract:The resurgence of a deterministic mode of representation mythologizing Arabs as figuring (threatening) Saracen by judging their epistemological commitments as hostile to Enlightened reason-based ideals is demonstratively identifiable after 9/11, and more so following the Arab uprisings in 2011, when we notice that the Arab in general, and Muslim in particular, was historicized as the “new barbarian” from which (liberal-secular) Westphalian society must be defended. Such neo-Orientalist representations dissemin… Show more
“…Post‐9/11 racialization has deprived American Muslims of several social, economic, and cultural rights and presented their identity as incompatible with modernity and Americanness (Al‐Kassimi, 2019, 2021; Altwaiji, 2021; Itaoui, 2020; Robertson, 2014; Waikar, 2018). Waldman asserts in an interview with Jeffrey Brown that the Muslims are degraded and homogenized in political and media discourses across the country, which result in a wide range of Islamophobic practices, violation of human rights, and exclusion from economic, social, and political spaces:…”
Section: Narratives: a Voice For The Silencedmentioning
confidence: 99%
“…Many scholars tend to see American literature as a mouthpiece for US ideology and focus on the way novels seem to justify imperialism, neoliberalism, counter‐terrorism, and neo‐orientalism (Al‐Kassimi, 2021; Holland & Jarvis, 2014; Jones & Smith, 2010; Keskin, 2011). Their arguments build on political chronologies across two decades and their geopolitical implications, mainly focusing on how political chronologies have reflected an increasing hegemonic attitude—that is, either by using military intervention to change regimes, having sovereignty over lands, supporting puppet dictatorships, or imposing sanctions on some Arab countries.…”
This essay on the Ground Zero novel offers three perspectives on one of the most exciting current debates in humanities by approaching the effects of the most notable 21st century event on the American novel. It presents a scholarly analysis of the American novel of the past 20 years and provides a discussion for readers who are divided by geography, ideology, and religion to understand how the 9/11 novel reflects both geopolitical relations and conflicts of our collective present. It sets two necessary provisos for the analysis of post-9/11 American narrative: terrorism and counter-terrorism. This analysis approaches the post-9/11 novel from two opposing perspectives/voicesneutral narratives and political narratives-to provide a neutral cultural territory divorced from geopolitical strategy to understand this new version of American literature and explore the common beliefs and values in it. A third focus, on the literature of immigrants, is emerging in American literary studies and offers a bridge to those interested in exploring the cultural contributions of Muslim immigrants to American culture. It would be a mistake to conclude without referring to the contributions of Arab American writers because the concepts of culture and coexistence are interlinked.
“…Post‐9/11 racialization has deprived American Muslims of several social, economic, and cultural rights and presented their identity as incompatible with modernity and Americanness (Al‐Kassimi, 2019, 2021; Altwaiji, 2021; Itaoui, 2020; Robertson, 2014; Waikar, 2018). Waldman asserts in an interview with Jeffrey Brown that the Muslims are degraded and homogenized in political and media discourses across the country, which result in a wide range of Islamophobic practices, violation of human rights, and exclusion from economic, social, and political spaces:…”
Section: Narratives: a Voice For The Silencedmentioning
confidence: 99%
“…Many scholars tend to see American literature as a mouthpiece for US ideology and focus on the way novels seem to justify imperialism, neoliberalism, counter‐terrorism, and neo‐orientalism (Al‐Kassimi, 2021; Holland & Jarvis, 2014; Jones & Smith, 2010; Keskin, 2011). Their arguments build on political chronologies across two decades and their geopolitical implications, mainly focusing on how political chronologies have reflected an increasing hegemonic attitude—that is, either by using military intervention to change regimes, having sovereignty over lands, supporting puppet dictatorships, or imposing sanctions on some Arab countries.…”
This essay on the Ground Zero novel offers three perspectives on one of the most exciting current debates in humanities by approaching the effects of the most notable 21st century event on the American novel. It presents a scholarly analysis of the American novel of the past 20 years and provides a discussion for readers who are divided by geography, ideology, and religion to understand how the 9/11 novel reflects both geopolitical relations and conflicts of our collective present. It sets two necessary provisos for the analysis of post-9/11 American narrative: terrorism and counter-terrorism. This analysis approaches the post-9/11 novel from two opposing perspectives/voicesneutral narratives and political narratives-to provide a neutral cultural territory divorced from geopolitical strategy to understand this new version of American literature and explore the common beliefs and values in it. A third focus, on the literature of immigrants, is emerging in American literary studies and offers a bridge to those interested in exploring the cultural contributions of Muslim immigrants to American culture. It would be a mistake to conclude without referring to the contributions of Arab American writers because the concepts of culture and coexistence are interlinked.
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