2012
DOI: 10.1063/1.4717680
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A new concept in underwater high fidelity low frequency sound generation

Abstract: This article reports on a new type of system for high fidelity underwater sound generation (patent pending PT105474). The system includes an underwater sound actuator and the corresponding electronic driver. The sound is generated by a rigid plate that is actuated (both for positioning/dumping and excitation) using purely electromagnetic forces, thus, avoiding the use of any elastic membrane. Since there is no compressible air inside the device, which is flooded by water, the operation of this device is indepe… Show more

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Cited by 13 publications
(13 citation statements)
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References 6 publications
(6 reference statements)
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“…Fig. in Fonseca & Maia Alves ). These were fed through a D/A converter (Edirol UA‐25, Roland, Japan; 16 bit, 8 kHz) controlled by Adobe Audition 3.0 (Adobe Systems Inc., Mountain View, CA, USA), which allowed independent playbacks on two channels.…”
Section: Methodsmentioning
confidence: 99%
“…Fig. in Fonseca & Maia Alves ). These were fed through a D/A converter (Edirol UA‐25, Roland, Japan; 16 bit, 8 kHz) controlled by Adobe Audition 3.0 (Adobe Systems Inc., Mountain View, CA, USA), which allowed independent playbacks on two channels.…”
Section: Methodsmentioning
confidence: 99%
“…Playback was carried out with custom-made speakers (Fonseca and Maia Alves, 2012) that are able to accurately reproduce low-frequency pulsed fish sounds such as the painted goby drums (Fig.3). The speakers, 3cm in diameter, were connected to a custom-made amplifier (Fonseca and Maia Alves, 2012) fed through a D/A device (Edirol UA-25) controlled by Adobe Audition 3.0. The amplitude of the sound playback (drum or WN) was previously adjusted to mimic that of a painted goby male at 1-2cm distance (ca.…”
Section: Playback Experimentsmentioning
confidence: 99%
“…This is probably because such studies can be a daunting task. Difficulties include the inexistence of commercial underwater loudspeakers that can reproduce fish low-frequency pulsed sounds accurately (Fonseca and Maia Alves 2012), hindering the success of playback experiments in most fish species. Fish sounds are usually accompanied by signals of other sensory modalities, such as conspicuous visual displays, making the role of acoustic signals difficult to establish (Amorim et al 2013b).…”
Section: Introductionmentioning
confidence: 99%