1979
DOI: 10.1016/0003-682x(79)90024-0
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A model investigation of the acoustical performance of courtyard houses with respect to noise from road traffic

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Cited by 13 publications
(6 citation statements)
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“…Inclined ceilings did not yield positive noise reduction in lower building stories but reached a maximum reduction of 9.4 dB on the 11th floor, which was attributed to varying incident angles from the sound source. As reported by various studies [4][5][6][7][8][9][10], acoustic treatment of wall surfaces could reduce road traffic noise by approximately 10-15 dBA, depending on balcony geometry, street geometry, and noise sources. The design incorporating absorbing materials on both the ceiling and inner side of the parapet demonstrated the highest noise reduction.…”
Section: Literature Reviewmentioning
confidence: 81%
“…Inclined ceilings did not yield positive noise reduction in lower building stories but reached a maximum reduction of 9.4 dB on the 11th floor, which was attributed to varying incident angles from the sound source. As reported by various studies [4][5][6][7][8][9][10], acoustic treatment of wall surfaces could reduce road traffic noise by approximately 10-15 dBA, depending on balcony geometry, street geometry, and noise sources. The design incorporating absorbing materials on both the ceiling and inner side of the parapet demonstrated the highest noise reduction.…”
Section: Literature Reviewmentioning
confidence: 81%
“…The most significant parameter on reducing the noise level experienced is the height of the courtyard walls. Width and depth of the courtyard configuration had negligible variance (Oldham & Mohsen, 1979).…”
Section: Footprint and Height Of The Courtyardmentioning
confidence: 99%
“…Courtyards largely turn their back on the outside world, which lends all courtyards a peaceful and protected air; they often suggest intimacy and conversation and share a brightly echoing acoustic (Ettouney & Fricke, 1973;Oldham & Mohsen, 1979) in which anyone arriving is somehow heralded by the amplified clipclop of feet or horse shoes (Matteo Bandello, Novelle 2.11). But courtyards also communicate qualities specific to a period, from the piety and collectedness of dolce stil novo to the humanism and rationality of the renaissance (like the Palazzo Ducale in Urbino), from the theatrical luxury and sensual pomp of the baroque (like Somerset House in London) to the tall, shared backyard of nineteenth-century tenements for the proletariat.…”
Section: The Place and Function Of The Courtyardmentioning
confidence: 99%