A machine learning

Lindley, Joseph; Potts, Robert

doi:10.1145/2639189.2670281

Cited by 20 publications

(3 citation statements)

References 11 publications

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“…To truly immerse participants, considerable artistic skill is required. Design fictions may be presented using a range of media -including tangible prototypes (for example, Sturdee et al, 2017); technical documentation (Lindley and Coulton, 2016); paper-based media (for example, comics, newspapers and magazines) (Coulton et al, 2017); digital imagery and videos (Lindley and Potts, 2014); and virtual environments (Green et al, 2019).…”

Section: Background: the Use Of Arts-based Methods Within Participatory Hci Researchmentioning

confidence: 99%

Developing arts-based methods for exploring virtual reality technologies: A university–industry case study

et al. 2021

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Collaborations between human–computer interaction (HCI) researchers and arts practitioners frequently centre on the development of creative content using novel – often emergent – technologies. Concurrently, many of the techniques that HCI researchers use in evaluative participant-based research have their roots in the arts – such as sketching, writing, artefact prototyping and role play. In this reflective paper, we describe a recent collaboration between a group of HCI researchers and dramatists from the immersive theatre organization Kilter, who worked together to design a series of audience-based interventions to explore the ethics of virtual reality (VR) technology. Through a process of knowledge exchange, the collaboration provided the researchers with new techniques to explore, ideate and communicate their work, and provided the dramatists with a solid academic grounding in order to produce an accurate yet provocative piece of theatrically based design fiction. We describe the formation of this partnership between academia and creative industry, document our journey together, and share the lasting impact it has had upon both parties.

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Section: Background: the Use Of Arts-based Methods Within Participatory Hci Researchmentioning

confidence: 99%

Developing arts-based methods for exploring virtual reality technologies: A university–industry case study

et al. 2021

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“…Present day media and materials (e.g. IKEA catalogues [13], documentary films [50,73], sports newspapers [63]) are employed to ground alternative presents and futures, and in Bruce Sterling's now-definitive terms "suspend disbelief about change" [10].…”

Section: A) Speculative Enactments Are Consequentialmentioning

confidence: 99%

“…Sturdee et al [72] underline the value of such worldbuilding as RtD. Whether artifacts [46,76], narratives [25], films [40,50,74], research abstracts [7], websites [23] or any other means of world-building, speculative design reflects practice-based inquiry and commentary. Di Salvo et al's 'Speculative Civics' [26] exemplifies the diverse modes of speculative practice available to RtD.…”

Section: D) Stage-setting As World-building and Rtdmentioning

confidence: 99%

On Speculative Enactments

Elsden

Chatting

Durrant

et al. 2017

Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems

128

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Speculative Enactments are a novel approach to speculative design research with participants. They invite the empirical analysis of participants acting amidst speculative but consequential circumstances. HCI as a broadly pragmatic, experience-centered, and participant-focused field is well placed to innovate methods that invite first-hand interaction and experience with speculative design projects. We discuss three case studies of this approach in practice, based on our own work: Runner Spotters, Metadating and a Quantified Wedding. In distinguishing Speculative Enactments we offer not just practical guidelines, but a set of conceptual resources for researchers and practitioners to critique the different contributions that speculative approaches can make to HCI discourse.

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