Abstract:This article presents an investigation about the logic of musical expression in the Classicism. Its main reference is the musical theory of Heinrich Christoph Koch (1749-1816), historically considered as the most comprehensive of his time. Starting from the notion of music as a language, Koch conceives units of musical thought that constitute musical speeches, oriented by a specific logic. This logic is performed on the basis of the material, structural and perceptible attributes of the units of thought, enabl… Show more
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