A Jazz Aesthetic Reprise (on the Work of Tami Spry)
Bryant Keith Alexander
Abstract:This performative piece serves as a tribute to Tami L. Spry upon her retirement from academic teaching. The piece is considered a reprise because it is based on a shortened version given on a panel at the International Congress of Qualitative Inquiry (2016) that celebrated the publication of her book, Autoethnography and the Other: Unsettling Power through Utopian Performatives. A variation of this piece was presented at the 2022 National Communication Association Convention in New Orleans on the panel: “The P… Show more
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