A ideologia da expansão portuguesa: séculos XV e XVI

Santos, João Marinho dos

doi:10.14195/2183-8925_14_4

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“…No entanto, num certo tom crítico diz que "o seu valor essencial é a numerosa série de documentos, a maior parte inéditos, com que o autor corrigiu, esclareceu e renovou a história dos monumentos e dos artistas dos reinados de D. Pedro II e D. João V" [23]. Noutra ocasião, a propósito dos estudos de Ayres de Carvalho sobre aos arquitetos do ciclo do barroco, reforça a crítica, dizendo que "a história da Arte não se faz só por documentos, mas também, e por vezes essencialmente, pelas obras e legítimas identificações estilísticas" [24]. É de evidente divergência metodológica, que se trata; a mesma que enriqueceu os importantes contributos que ambos deram à História da Arte.…”

Section: Contributos De Reynaldo Dos Santos Ayres De Carvalho E De Ma...unclassified

The completion of the Church of Santa Engrácia in the context of the valorization of the Baroque style in Portugal and the principles of the international Charters of Athens and Venice (1953-1966)

Soares

2023

Cons. Património

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This article aims to frame, nationally and internationally, the intervention criteria adopted in the Church of Santa Engrácia, when, in the midst of the Estado Novo regime, it was decided to complete the unfinished Baroque building, interrupted more than two centuries ago. In the challenge faced, the advances of the History of Art proved to be fundamental, in particular the new status given to the Portuguese Baroque from the 1950s onwards, and the knowledge of the principles for the conservation and restoration of heritage disseminated, both, in the Athens (1931) and in the Venice (1964) Charters. These combined circumstances, in which we documented the interdisciplinary collaboration between architect and art historian, reinforce Santa Engrácia's condition as a paradigmatic example of monumental restoration in Portugal, coordinated by the Direção Geral dos Edifícios e Monumentos Nacionais [General Directorate of National Buildings and Monuments] (DGEMN), under the maxim widely spread since the Athens Charter that “each case is a particular case".

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Section: Contributos De Reynaldo Dos Santos Ayres De Carvalho E De Ma...unclassified

The completion of the Church of Santa Engrácia in the context of the valorization of the Baroque style in Portugal and the principles of the international Charters of Athens and Venice (1953-1966)

Soares

2023

Cons. Património

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A ideologia da expansão portuguesa: séculos XV e XVI

Cited by 1 publication

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The completion of the Church of Santa Engrácia in the context of the valorization of the Baroque style in Portugal and the principles of the international Charters of Athens and Venice (1953-1966)

The completion of the Church of Santa Engrácia in the context of the valorization of the Baroque style in Portugal and the principles of the international Charters of Athens and Venice (1953-1966)

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