A Formative Beauty of Chinese Foot-Binding Shoes and the Meaning of Chinese Costume History -Focused on Collection of Tianjin Huaxia Shoes Culture Museum-

Xu, Rui; Bae, Sejong

doi:10.12940/jfb.2015.19.4.57

Cited by 2 publications

(1 citation statement)

References 2 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…The classification criteria for dresses were based on pieces (whether one-piece or two pieces; Cho and Kim, 1992 ) and headdress type based on the shape and style (cylindrical, conical, draped, and mixed; Hong, 1986 ; Kim, 2001 ; Kang and Cho, 2015 ). Shoes were classified into normal types without shoe necks and boot types featuring raised shoe necks (Xu and Bae, 2015 ). Color classification of garments and accessories was examined and determined based on the colors occupying more than 50% of the entire area of clothing.…”

Section: Influence Of Multiculturalism On Kazakh Women's Clothingmentioning

confidence: 99%

Kazakh “free women” grit—Chinese Kazakh women's clothing image in the context of multicultural integration of silk road

2022

Front. Psychol.

Self Cite

View full text Add to dashboard Cite

In recent years, Chinese clothing cultural heritage and knowledge genealogy along the Silk Road have become the research headline attracting public attention. In particular, Kazakh clothing in Northwestern China has become the focus of today's traditional national culture. Kazakh, located at the intersection of the Silk Road, has an important position. The traditional clothing made by various social factors reflects the style and identity integration throughout history in cultures along the Silk Road, taking women's clothing as an example. Kazakh women are good at crafts, which is reflected in their strong grit. They gradually changed their role and traditional values, which has guided their social role. At the same time, it also reflects the awakening of Kazakh women's feminist consciousness to a large extent, and complies with Confucianism, along with the mainstream value of “advanced gender culture” of the world's outstanding civilization achievements. This paper summarizes the form, color, and patterns of Kazakh women's clothing by analyzing the garment, headdress, and footwear in Xinjiang Uygur Autonomous Region Museum, Aksai Kazakh National Museum, and Capital Museum of China. Through the analysis, this paper further probes into the multicultural integration between Kazakh and the regions along the Silk Road and interprets the idea represented by the forms, colors, and patterns in the clothing to promote the inheritance and development of traditional and regional cultures together with ethnic features along the Silk Road.

show abstract

Section: Influence Of Multiculturalism On Kazakh Women's Clothingmentioning

confidence: 99%

Kazakh “free women” grit—Chinese Kazakh women's clothing image in the context of multicultural integration of silk road

2022

Front. Psychol.

Self Cite

View full text Add to dashboard Cite

show abstract

A Study on the Formative Relationship between Islamic Religious Clothing and Minority Women's Clothing in the Northwestern China

Xu¹,

Bae²

2019

jksc

View full text Add to dashboard Cite

A Formative Beauty of Chinese Foot-Binding Shoes and the Meaning of Chinese Costume History -Focused on Collection of Tianjin Huaxia Shoes Culture Museum-

Cited by 2 publications

References 2 publications

Kazakh “free women” grit—Chinese Kazakh women's clothing image in the context of multicultural integration of silk road

Kazakh “free women” grit—Chinese Kazakh women's clothing image in the context of multicultural integration of silk road

A Study on the Formative Relationship between Islamic Religious Clothing and Minority Women's Clothing in the Northwestern China

Contact Info

Product

Resources

About