Abstract:In this article I will try to defend, first, that there is a sense in which research is not only possible but desirable in art. Second, that there is a minimal set of written/physical components that are the minimal conditions for something to be considered research for art (in Frayling's sense). Third, that the epistemic value of the results is derived from the concept of exemplification as a retriever of value in a dense universe of artistic possibilities. And finally, that artistic research is a tool for em… Show more
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