A cross-cultural study of mobile music

Nettamo, Esa; Nirhamo, Mikko; Häkkilä, Jonna

doi:10.1145/1228175.1228193

Cited by 21 publications

(2 citation statements)

References 8 publications

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“…As already mentioned, cultural factors may influence the ways individuals experience, express, and interpret their affective states (Peltola & Eerola, 2016; Sachs, Damasio, & Habibi, 2015; Swaminathan & Schellenberg, 2015 ), and cultural background can also impact music perception and affective reactions to different types of music (Eerola, Himberg, Toiviainen, & Louhivuori, 2006; Gregory & Varney, 1996). Although the bulk of music and mood studies have been conducted in Western countries, there is a nascent interest in such research in the Asian context (Hu & Lee, 2012; Nettamo, Nirhamo, & Häkkilä, 2006; Tolos, Tato, & Kemp, 2005).…”

Section: Cultural Differences In Music Perceptionmentioning

confidence: 99%

The effects of music induction on mood and affect in an Asian context

Campbell

Berezina

Gill

2020

Psychology of Music

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A sample of Asian participants was assessed using the Brunel Mood Scale and the Positive & Negative Affect Scale before and after music mood induction procedures to which each participant was randomly assigned. A series of mixed analyses of variance with the type of music (happy/positive vs. sad/negative) as the between-subject factor and pre–post music exposure as the within-subject factor revealed that the sad music induction attenuated the positive moods Vigor and Happiness, as well as the negative moods Anger, Tension, Fatigue, and Confusion but had no significant impact on Depression or Calmness, casting doubt on the robustness of Thayer’s circumplex model of mood formation. The happy music induction increased Vigor and decreased Fatigue and Confusion, suggesting that positive music has the potential to lift energy levels. The happy music induction led to increases in Positive Affect only, whereas the sad music condition attenuated both Positive Affect and Negative affect, casting doubt on Watson and Tellegen’s contention that the Affect systems are independent and suggesting that the bipolarity hypothesis may not provide a comprehensive explanation of mood formation. The mechanisms by which music may impact mood and potential differences in the expression of affect between Asian and Western participants are discussed.

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Section: Cultural Differences In Music Perceptionmentioning

confidence: 99%

The effects of music induction on mood and affect in an Asian context

Campbell

Berezina

Gill

2020

Psychology of Music

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“…These were seen to cover a variety of different possible use cases and UI layouts, and yet represent central smart phone applications (for each application 1-4, see e.g. [9,8,4,5], respectively). In both studies, the participants were instructed to bravely create ideas on how to use the depth effect in UI design and not to be limited by boundaries such as technical feasibility.…”

Section: Conducted User Studies 21 Design Of the Researchmentioning

confidence: 99%

How to Use 3D in Stereoscopic Mobile User Interfaces

Ventä-Olkkonen

Posti

Häkkilä

2013

Proceedings of International Conference on Making Sense of Converging Media

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So far, little research has been devoted to the user centric design of mobile stereoscopic 3D user interfaces (UIs). In this paper, we focus on charting people's perceptions and suggestions on the purposes for which stereoscopic 3D (S3D) user interface designs could be used in typical mobile phone applications. For this, we conducted two user studies (n=33; n=27) charting initial user perceptions around four mobile S3D applications. The findings reveal that most commonly the stereoscopic effect was perceived to be used for visualizing contextually relevant or additional information related to a content item, user's preferences, and grouping or selecting items.

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Information seeking for musical creativity: A systematic literature review

Lavranos

Κωσταγιόλας

Korfiatis

et al. 2015

Asso for Info Science & Tech

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This paper aims to present a systematic literature review of research in music information seeking and its application to musical creativity and creative activities and in particular composition, performance and improvisation, and listening and analysis. A seed set of 901 articles published between 1973 and 2015 was evaluated and in total 65 studies were considered for further analyses. Data extraction and synthesis was performed through content analysis using the PRISMA method. Three thematic categories were identified in regard to music information needs: (a) those related to scholarly activities, (b) musically motivated, as well as (c) those which are related to socializing and communication. In addition, 3 categories of music information sources were connected to musical creativity: (i) those that are related to Internet and media technologies, (ii) those that are related to music libraries, organizations, and music stores, and (iii) those that are related to the subjects' social settings. The paper provides a systematic review, with the aim of showcasing the effect of modern information retrieval techniques in a creative and intensive area of information-dependent activity such as music making and consumption

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A cross-cultural study of mobile music

Cited by 21 publications

References 8 publications

The effects of music induction on mood and affect in an Asian context

The effects of music induction on mood and affect in an Asian context

How to Use 3D in Stereoscopic Mobile User Interfaces

Information seeking for musical creativity: A systematic literature review

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