A critical theory of the drone in archaeology: on space, epistemology, and automation

Abstract

This article seeks to establish a theoretical framework surrounding the drone and its use in archaeology. More than just a tool, this vehicle has revolutionized not only the practice of the discipline but also the way archaeologists approach their object of study. To highlight its theoretical components, we have established a dialog with the philosophy of technology and the archaeological dimension, to understand the implications and impositions that the drone implies for the activities of archaeologists. Passing through the verticalization of the gaze, the machinic rhythms and choreographies, and, finally, the theme of automation, we understand that the theory of the drone in archaeology is fertile ground for a critique of how technique shapes the discipline.