2009
DOI: 10.1162/neco.2008.03-08-720
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A Computational Model for Rhythmic and Discrete Movements in Uni- and Bimanual Coordination

Abstract: Current research on discrete and rhythmic movements differs in both experimental procedures and theory, despite the ubiquitous overlap between discrete and rhythmic components in everyday behaviors. Models of rhythmic movements usually use oscillatory systems mimicking central pattern generators (CPGs). In contrast, models of discrete movements often employ optimization principles, thereby reflecting the higher-level cortical resources involved in the generation of such movements. This letter proposes a unifie… Show more

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Cited by 47 publications
(41 citation statements)
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References 77 publications
(183 reference statements)
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“…The third hypothesis assumes that rhythmic and discrete movements are two different (or partially different) classes of movements (Sternad et al, 2000;Buchanan et al, 2003). These hypotheses have been examined from behavioral (Buchanan et al, 2003;van Mourik and Beek, 2004), theoretical (Schöner, 1990;Huys et al, 2008;Ronsse et al, 2009), and neuronal (Spencer et al, 2003(Spencer et al, , 2007Schaal et al, 2004) perspectives. The current consensus is that rhythmic movements are not mere concatenations of discrete movements (i.e., the first hypothesis has been ruled out).…”
Section: Introductionmentioning
confidence: 99%
“…The third hypothesis assumes that rhythmic and discrete movements are two different (or partially different) classes of movements (Sternad et al, 2000;Buchanan et al, 2003). These hypotheses have been examined from behavioral (Buchanan et al, 2003;van Mourik and Beek, 2004), theoretical (Schöner, 1990;Huys et al, 2008;Ronsse et al, 2009), and neuronal (Spencer et al, 2003(Spencer et al, , 2007Schaal et al, 2004) perspectives. The current consensus is that rhythmic movements are not mere concatenations of discrete movements (i.e., the first hypothesis has been ruled out).…”
Section: Introductionmentioning
confidence: 99%
“…Similarly, piano playing is regarded as an archetypal rhythmic action, yet simultaneously integrates discrete and very accurate reaches across the keyboard. Coordination and control of such hybrid actions may therefore pose more complex problems than each action by itself and probably engage overlapping circuitries and mechanisms (Ronsse et al 2009;Sternad 2008;Sternad et al 2000).…”
Section: Introductionmentioning
confidence: 99%
“…Indeed, to the best of our knowledge, two main models for the simultaneous production of both discrete and rhythmic movements have been presented before, namely the models by De Rugy and Sternad (2003) and by Schaal et al (2000), and they have never been applied to robotic control. The model presented by De Rugy and Sternad (2003), later extended to bi-manual tasks by Ronsse et al (2009), is aimed at reproducing the key observations of the combination of discrete and rhythmic movements. It is based on a Matsuoka oscillator (Matsuoka (1985)) modeling the output of two coupled neurons, this output being transformed into a desired trajectory through the equation of the dynamics of the joint.…”
Section: Central Pattern Generatorsmentioning
confidence: 99%