1952
DOI: 10.2307/890570
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A Composer's World; Horizons and Limitations

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Cited by 3 publications
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“…This is an open question, but it is interesting to consider whether certain composition styles might prove to be socially relevant. This idea resonates, for instance, with Paul Hindemith's suggestion that the process of composing involves skilful manipulation of musical forms that can awaken in the audience the emotional images that the composer has chosen to present (Hindemith, 1961). According to Hindemith, a competent composer knows and understands which musical patterns are most befitting to specific emotional reactions, and it could be postulated that, in a similar manner, may also learn how to master musical structures that reflect or imply specific types of social interaction (e.g., call and response).…”
Section: Music In Educationmentioning
confidence: 84%
“…This is an open question, but it is interesting to consider whether certain composition styles might prove to be socially relevant. This idea resonates, for instance, with Paul Hindemith's suggestion that the process of composing involves skilful manipulation of musical forms that can awaken in the audience the emotional images that the composer has chosen to present (Hindemith, 1961). According to Hindemith, a competent composer knows and understands which musical patterns are most befitting to specific emotional reactions, and it could be postulated that, in a similar manner, may also learn how to master musical structures that reflect or imply specific types of social interaction (e.g., call and response).…”
Section: Music In Educationmentioning
confidence: 84%
“…Bentuk komposisi baru itu biasa disebut dengan kontemporer yang secara segi identitas dan kehadirannya bukan merupakan hal baru lagi di Indonesia. Melalui nilai-nilai kehidupan, perilaku serta aspek suku budaya (etnis tradisi) dari seorang komponis (Hindemith, 2022;Raines, 2015;dan Cascone, 2017).…”
Section: Pendahuluanunclassified
“…However, research suggests a difference between the emotion that music expresses and induces (Gabrielsson, 2001), with sad music being found to induce negative (Garrido & Schubert, 2013) and positive experiences, such as pleasure (Sachs et al, 2015). The nature of sad music and its ability to produce positive affects in individuals has sparked philosophical discussions (Hindemith, 1961) and is still explored now through psychological research. The nature of and interaction between sad music and sad mood is unique among other emotions (Sizer, 2019), thus the complexity and importance of this topic warrants greater investigation.…”
Section: Introductionmentioning
confidence: 99%