A Comparative Temporal Analysis of User-Content-Interaction in Social Media

Hauffa, Jan; Groh, Georg

doi:10.1145/3345645.3351102

Cited by 4 publications

(2 citation statements)

References 3 publications

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“…We collected a dataset consisting of more than 2.5 million Tweets posted across an 8‐year period, from 2007 to 2015, by using the Twitter's Application Program Interface (API). We gathered the Tweets using a Breadth‐First Search (BFS)‐based crawling technique (Hauffa, Koster, Hartl, Kollhofer, & Groh, ; Kwak, Lee, Park, & Moon, ; Macropol, Bogdanov, Singh, Petzold, & Yan, ; Russell, ). The technique, which is like a snowball sampling technique, starts with an initial small set of randomly chosen users.…”

Section: Methodsmentioning

confidence: 99%

Harnessing big data for social justice: An exploration of violence against women‐related conversations on Twitter

Xue

Macropol

Jia

et al. 2019

Human Behav and Emerg Tech

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Social media, including Facebook, Twitter, Instagram, and Snapchat offer new means of communication, networking, and community building. Social media are mechanisms by which millions of people spread, share, and exchange information—ranging from sports and politics, to health and illness. Twitter users, in particular, also build communities on topics of interest. This paper examines Twitter content to examine the extent to which the topic of “violence against women” is posted and disseminated. We know very little about the intersection of social media and the social problem of “violence against women.” Is Twitter being used to advance advocacy efforts, seek information and assistance, and/or build communities among advocates and or victims? First, we need to know whether and to what degree Twitter contains posts on the topic of violence against women (VAW). This paper offers the first exploration into Twitter postings related to the topic of VAW. We collected 2.5 million tweets posted from 2007 through 2015. We then classified postings (referred to as “Tweets”). We compared posting on the topic of VAW to posting related to nine topics: politics, entertainment, sports, women, relationships, fashion, kids, school, and food. We found a small but actively engaged community that Tweets about VAW. Twitter users who post on the topic of VAW reply to one another in each conversation thread, but they rarely disseminate conversations through Retweeting. Our exploratory findings suggest that more might be learned from future studies that investigate the use of social media on the topic of VAW.

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Section: Methodsmentioning

confidence: 99%

Harnessing big data for social justice: An exploration of violence against women‐related conversations on Twitter

Xue

Macropol

Jia

et al. 2019

Human Behav and Emerg Tech

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“…In order to remain present in their friends and followers' timelines, individuals and institutions alike keep generating more posts, seeking user engagement through emotional responses and the muchcoveted viral effect. Hauffa and Groh (2019) estimate that on Facebook, on average, publication engagement disappears within thirteen days, and that the most significant interaction counts occur within the first two days.…”

Section: The Creative Slavementioning

confidence: 97%

Curating the Everywhere Museum of Everything

Veiga

2020

Digital Creativity

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The Everywhere Museum of Everything is a research and action proposal founded on the array of aestheticised online content, which can be purposefully and critically curated in order to create a meaningful territory of contemporary online culture, art and knowledge creation. This abundance of content is rooted in a culture of consumerism, blackboxed mobile applications and social networks. Individual experiences in the physical world have been transformed by onlineness, a combination of the pervasive use of mobile devices and applications over Internet access, used to share opinions and evidence through original and remixed media, often complemented by hashtagging. Even if the majority of this content quickly becomes irrelevant and forgotten, it can still be accessed through an augmented view of the world, as digital media is frequently anchored to locations through geotagging or referencing. This vast collection lacks systematization and classification, but presents multiple possibilities for artists, curators and scholars.

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