2004
DOI: 10.7577/nova/rapporter/2004/15
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A Community of Differences

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Cited by 31 publications
(7 citation statements)
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“…The examples of cultural hybridity were from the young Norwegian-Pakistani women who grew up in areas with few immigrants. The limited amount of examples of cultural hybridity can be explained, as earlier studies have, by the tendency of young Norwegian-Pakistani women to spend more time at home, with less exposure to the majority culture than their male siblings (Lien, 2001;Østberg, 2003;Prieur, 2004;Sandberg, 2008;Vestel, 2003). Norwegian-Pakistani boys are highly visible in society and contribute to urban youth culture in various ways.…”
Section: Discussionmentioning
confidence: 99%
“…The examples of cultural hybridity were from the young Norwegian-Pakistani women who grew up in areas with few immigrants. The limited amount of examples of cultural hybridity can be explained, as earlier studies have, by the tendency of young Norwegian-Pakistani women to spend more time at home, with less exposure to the majority culture than their male siblings (Lien, 2001;Østberg, 2003;Prieur, 2004;Sandberg, 2008;Vestel, 2003). Norwegian-Pakistani boys are highly visible in society and contribute to urban youth culture in various ways.…”
Section: Discussionmentioning
confidence: 99%
“…My informants in the present research, as well as in an earlier 1990s study of ethnic minority youth and urban multiculture (Andersson, 2005), exemplify this by, for instance, pointing at African refugees trying to pass as Americans in the streets of Oslo. Partly, the explanation for the relatively high status of black Americans in Norway relates to the popularity of hip hop culture and rap music among both majority and ethnic minority youth (Bakken, 1998;Vestel, 2004). The scope of this article has not allowed for a thorough discussion of everyday culture and hybridity; how my informants negotiate their non-whiteness in different social contexts.…”
Section: Double Consciousness In a Global Sports Ordermentioning
confidence: 99%
“…Internationalised popular music provides an arena where background, heritage and tradition become less relevant. The crucial aspect of community is the connection to music styles that are popular among young people and the musical practices developed within the group (Vestel, 2003). My own work on multi-ethnic hip-hop groups seems to confirm Vestel's arguments (Knudsen, 2011).…”
Section: Questioning Differencementioning
confidence: 60%
“…The widespread idea that social groups and communities are necessarily based on similarity, such as a common history and common practices and traditions, has increasingly been contested and nuanced. Viggo Vestel (2003) did research among 'multicultural youngsters' with highly different backgrounds. In his research entitled A Community of Difference, he shows how community is constructed through musical practice in this particular youth culture.…”
Section: Questioning Differencementioning
confidence: 99%