2016
DOI: 10.1111/amet.12378
|View full text |Cite
|
Sign up to set email alerts
|

A civilized revolution: Aesthetics and political action in Egypt

Abstract: A B S T R A C TActs of aesthetic ordering dominated Egyptian protest and civic activity in 2011, around the time of former president Hosni Mubarak's downfall. They played a central role in motivating collective political action, giving form to a nationalist utopian vision and legitimizing ordinary Egyptians as active agents and upright citizens. Yet they also reproduced exclusionary middle-class aspirations tied up with state projects and related forms of citizenship that center on surveillance, individualism,… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1
1

Citation Types

0
22
0
1

Year Published

2017
2017
2022
2022

Publication Types

Select...
5
1
1

Relationship

0
7

Authors

Journals

citations
Cited by 46 publications
(24 citation statements)
references
References 31 publications
0
22
0
1
Order By: Relevance
“…Finally, as Starrett's analysis of textbooks above leads us to expect, one of the most common registers for addressing an anti‐littering message to citizens in Egypt is to invoke the ‘cleanliness proceeds from faith’ trope, which Starrett himself notes that he often observed in Egypt (Starrett : 9; see also Winegar : 615). I encountered a very elaborate set of slogans along these lines at a fee‐paying school in Ezbet al Nakhl, largely attended by the children of Zabbaleen.…”
Section: Fashioning the Non‐littering Egyptian Citizen: Faith And CIVmentioning
confidence: 99%
See 3 more Smart Citations
“…Finally, as Starrett's analysis of textbooks above leads us to expect, one of the most common registers for addressing an anti‐littering message to citizens in Egypt is to invoke the ‘cleanliness proceeds from faith’ trope, which Starrett himself notes that he often observed in Egypt (Starrett : 9; see also Winegar : 615). I encountered a very elaborate set of slogans along these lines at a fee‐paying school in Ezbet al Nakhl, largely attended by the children of Zabbaleen.…”
Section: Fashioning the Non‐littering Egyptian Citizen: Faith And CIVmentioning
confidence: 99%
“…The literature on waste in anthropology is growing fast (see Reno ), but the question ‘what type of problem is waste?’ suggests quite a specific project for which there are relatively few emulable examples. For instance, two recent articles about waste in the Negev desert of Israel (McKee ) and Cairo (Winegar ) in my view treat waste and the discourses surrounding it in a different way, as having ‘practical value in a system of agency’ (Warnier : 187), to borrow a phrase from material culture. These articles thus show what characterising others as litterers or theatrically picking up trash while wearing surgical gloves can do , politically: justify various forms of social control and dispossession in the first case, or assert class yearning or disdain and reassert ‘aesthetic order’ in a manner that doubles‐back on the inversion of authority produced when the city's public spaces temporarily became places of contestation, in the latter.…”
Section: Provincialising the Environmental Framing Of Wastementioning
confidence: 99%
See 2 more Smart Citations
“…In other words, how does one begin to talk about waste? Defining the contours of waste has been taken for decades as an anthropological problematic, being likened to rubble (Gordillo 2014), debris (Stoler 2013;Ssorin-Chaikov 2016), marginalia (Gandy 2013), ugliness (Novoa forthcoming), ruination and pollution (Olsen and Pétursdóttir 2014), the subaltern (Buchli and Lucas 2001), the unbecoming (Gregson and Crang 2010), the unwanted (Sosna and Brunclíková 2017), the opposite to civilisation (Winegar 2016), what has to be concealed and hidden (Åkesson 2006), negligence and human failure (Lynch 1990), the exercise of power (Ferguson 1994), a tool for urban speculation (Martínez 2017a), as well as 'alluring trashcapes', 'everything plus time' and 'things that have been emptied of desire' (Thill 2015).…”
mentioning
confidence: 99%