Abstract:This article examines the censorship of popular music in Brazil by focusing on the experience of songwriter Ivan Lins during the country’s military dictatorship. Since the late 1970s, Lins was included in the government list of “suspects” of the musical scene; his songs were often censored and his performances placed under surveillance. Before analyzing Lins’s musical production, its meanings, and its relationship with the regime’s repression forces, the article first discusses the historical context of the ye… Show more
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