341 Don Juan

Byron, sixth Bar Byron George Gordon Noel

doi:10.1093/oseo/instance.00073012

Cited by 37 publications

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“…-This strange --but true; for truth is always strange. Stranger than fiction;" (Byron, 1912) By using this statement, the author is attempting to convey the idea that facts are sometimes more difficult to trust than fiction. A Byronic hero is a mix of good and evil; he isn't moral or noble.…”

Section: Definition Of Byronic Heromentioning

confidence: 99%

“…Because of his beautiful qualities and fearless daring for women, he becomes a heart pulse. These lines in Don Juan reveal Juan's physical attraction: -Young Juan was sixteen years of aye tall handsome, slender but well-knit‖ - (Byron, 1912) Byron has long been regarded as one of the greatest Romantic poets of the 19th century. The Romantic Movement, which arose from the Enlightenment, reached its pinnacle thanks to Byron's writings.…”

Section: Definition Of Byronic Heromentioning

confidence: 99%

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The Portrayal of Nineteenth Century’s Byronic Hero in Don Juan

shtiaq¹

2022

SJELL

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The goal of this article is to look at the nineteenth-century Byronic Heroes, based on Don Juan by Lord Byron. It demonstrates how he embodies this poem as an 1819 poem with social value due to its original concept. It investigates Byron’s attitudes to culture through portraying the major characters along with primary depictions of upper-class parents, which is one of the visions of England in the nineteenth century. It also focuses on Byron’s representation of nineteenth-century attitudes on romantic writing and the exact scenario of extramarital affairs. This study delineates gender discrimination and its influence on social lives in the nineteenth century. The main focus of this research is how Don Juan demonstrates Byronism through portraying authentic characters, attitude to living conditions, the impact of parents and religion, revolution, and class judgment.

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Section: Definition Of Byronic Heromentioning

confidence: 99%

Section: Definition Of Byronic Heromentioning

confidence: 99%

The Portrayal of Nineteenth Century’s Byronic Hero in Don Juan

shtiaq¹

2022

SJELL

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“…In 2013, Ike Cialona rendered for the first time in Dutch the complete Don Juan, in a much-acclaimed translation. 1 Between the most recent and the earliest Byron translation in the Netherlands stand not only 194 years but also a world of difference.…”

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confidence: 99%

The Taming of Byron in the Netherlands

Mathijsen

2013

The Byron Journal

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“… 24 Mickey Katz (1909–85) was a bandleader, clarinetist, and Yiddish song parodist. Hear Don Byron, Don Byron Plays the Music of Mickey Katz (Elektra Nonesuch 79313–2, 1993), and Live at the Knitting Factory, Volume 3 (A&M Records 75021 5299 2, 1990). …”

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confidence: 99%

An Interrogation of Language: “Radical Jewish Culture” on New York City's Downtown Music Scene

Barzel¹

2010

J Soc American Mus

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In April 1993 the Knitting Factory, a small nightclub in Lower Manhattan, hosted a five-day music festival titled "Radical New Jewish Culture." This event was part of a multifaceted creative endeavor undertaken during the 1990s by composer/improvisers on New York City's downtown music scene and dubbed "Radical Jewish Culture" by its main protagonist, saxophonist John Zorn. RJC brought Jewish music and heritage into the purview of a polycultural experimentalist scene shaped by jazz, rock, free improvisation, and avant-garde concert music. Artists downtown also engaged in an animated "conversational community" that spilled over into interviews, program notes, liner notes, and essays. RJC was especially productive as a conceptual framework from which to interrogate the relationship between musical language and the semiotics of sound.

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341 Don Juan

Cited by 37 publications

References 0 publications

The Portrayal of Nineteenth Century’s Byronic Hero in Don Juan

The Portrayal of Nineteenth Century’s Byronic Hero in Don Juan

The Taming of Byron in the Netherlands

An Interrogation of Language: “Radical Jewish Culture” on New York City's Downtown Music Scene

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