The Edinburgh Companion to Nineteenth-Century American Letters and Letter-Writing 2016
DOI: 10.1515/9780748692934-030
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28. ‘My Dear Dr.’: American Women and Nineteenth-Century Scientifi c Correspondence

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“…Such stories can only be partially told through these specimen sheets, of course, which narrate or reveal a plant’s circulation in scientific knowledge cultures but which often isolate that plant from its historical and biocultural networks. Increasingly, researchers and others are reconnecting herbaria to their physical and historical contexts by, for instance, linking specimens to in situ plant and biocultural heritage inflection points (Cowell et al 2020 , Ryan 2015 ), rejoining specific specimens to botanical correspondence that accompanied them from global collection points (Clemit and Scott 2020 ; Gianquitto 2016 ), or, in institutional contexts, working to decolonize botanical gardens and natural history museums (Royal Botanic Gardens 2021 ; Caomhánach and Bell 2020 ). As a digital repository of personal environmental stories, Herbaria 3.0 joins projects such as Center for Plants & Culture (plantsandculture.org), an online platform for educating visitors about the ways that plants shape and have shaped our culture over time, reflecting on economics, politics, law, and medicine, focusing on Black, Brown, and Indigenous voices (2021).…”
Section: Background: the Herbaria 30 Project Originsmentioning
confidence: 99%
“…Such stories can only be partially told through these specimen sheets, of course, which narrate or reveal a plant’s circulation in scientific knowledge cultures but which often isolate that plant from its historical and biocultural networks. Increasingly, researchers and others are reconnecting herbaria to their physical and historical contexts by, for instance, linking specimens to in situ plant and biocultural heritage inflection points (Cowell et al 2020 , Ryan 2015 ), rejoining specific specimens to botanical correspondence that accompanied them from global collection points (Clemit and Scott 2020 ; Gianquitto 2016 ), or, in institutional contexts, working to decolonize botanical gardens and natural history museums (Royal Botanic Gardens 2021 ; Caomhánach and Bell 2020 ). As a digital repository of personal environmental stories, Herbaria 3.0 joins projects such as Center for Plants & Culture (plantsandculture.org), an online platform for educating visitors about the ways that plants shape and have shaped our culture over time, reflecting on economics, politics, law, and medicine, focusing on Black, Brown, and Indigenous voices (2021).…”
Section: Background: the Herbaria 30 Project Originsmentioning
confidence: 99%