Abstract:This chapter gives an overview of a recent profusion of statistics on classical music repertoire, performers, and education from across several countries showing how success is overwhelmingly coded as cis-male, white, middle class and European. It argues that improving the inclusivity and equality of classical music conflicts with closely held beliefs in meritocracy and high musical quality, and suggests that explorations of its existing contexts and infrastructures could offer avenues of engagement that bette… Show more
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