Watching While Black 2020
DOI: 10.36019/9780813553887-015
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13. Resistance Televised: The TV da Gente Television Network and Brazilian Racial Politics

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“…Born in São Paulo, Brazilian hip-hop provides a means of expressing the everyday realities, challenges, and outlooks of Black, Brown, and poor youth in the periphery (Pardue 2008(Pardue , 2010Reiter and Mitchell 2008;Santos 2016). Afro-Brazilians in São Paulo continue to express themselves through a "Black circuit" of socializing (Macedo 2007), religious music and faith practices (Burdick 2013), and media production (Gillam 2012). These are merely a fraction of the kinds of activities oriented around the Black population.…”
Section: Race Blackness and The Citymentioning
confidence: 99%
“…Born in São Paulo, Brazilian hip-hop provides a means of expressing the everyday realities, challenges, and outlooks of Black, Brown, and poor youth in the periphery (Pardue 2008(Pardue , 2010Reiter and Mitchell 2008;Santos 2016). Afro-Brazilians in São Paulo continue to express themselves through a "Black circuit" of socializing (Macedo 2007), religious music and faith practices (Burdick 2013), and media production (Gillam 2012). These are merely a fraction of the kinds of activities oriented around the Black population.…”
Section: Race Blackness and The Citymentioning
confidence: 99%
“…In particular, subaltern communities have utilized cinema and videos as a critical locus through which to maintain their cultural practices and protest threats to their ways of life (Ginsburg 1991; Turner 1992). Afro‐Brazilians have turned to their own media production in the form of film (Dennison 2020; Gillam 2017; Heise 2012; Souza 2011), television (Gillam 2013), and social media (Mitchell‐Walthour 2018; Perrine 2019) to excavate other possibilities for Black representation beyond mainstream media. Looking strictly at the discourses within the parodies of commercials that Is That OK With You?…”
Section: Media Satire and Activismmentioning
confidence: 99%