2021
DOI: 10.5007/2175-8026.2021.e75830
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Abstract: The screen adaptation of the 1985 novel The Handmaid’s Tale, by Margaret Atwood, converges with the current global turn to the right. Across different geographies and variables, there have been attempts at reinforcing the control of women’s reproductive capacity, crucial to the reproduction of capitalism, and resistance by networks of feminist movements. Such tensions bear resemblance with the concerns represented in the television show. Within the affective turn, in the present study, I examine the gaze as a … Show more

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