Abstract:Beckett’s Rough for Theatre I, first written in French in the late 1950s, picks up the theme of Yeats’s The Cat and the Moon—itself based on earlier material, including Synge’s The Well of the Saints. Staging mutually dependent disabled bodies and charting the elaboration of joint poetic vision, both plays also paradoxically focus on the dramaturgical and poetic potential of collaborative failure. While Yeats insisted that his play should be read allegorically as a dramatisation of the journey towards Unity of… Show more
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