2021
DOI: 10.18061/ijsd.v12i0.7821
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Movement as Medicine and Screendance as Survivance: Indigenous Reclamation and Innovation During Covid-19

Abstract: Indigenous screendance challenges US settler colonial constructions that drive political, environmental, and global injustices, which the Covid-19 pandemic has exacerbated. This article analyzes online workshops taught in 2020 by Rulan Tangen, Founder and Director of DANCING EARTH CREATIONS, as "movement as medicine" and "screendance as survivance." By connecting Tangen's workshops to Indigenous peoples' historical and ongoing uses of dance and the digital sphere for wellbeing and survival, we show how and why… Show more

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Cited by 2 publications
(2 citation statements)
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“…Given the historical and ongoing settler-capitalist dynamics in universities, wholescale transformations of implicit cultural norms are needed in order to actually welcome in the broader public, including dismantling white supremacy culture (Jones and Okun 2001) and providing much greater accommodations for different (dis)abilities such as live transcription and ASL interpretation. Additionally, not everyone has internet access, which is again disproportionately the case in Indigenous communities (Duarte 2017;Mattingly and Blu Wakpa 2021).…”
Section: Notesmentioning
confidence: 99%
“…Given the historical and ongoing settler-capitalist dynamics in universities, wholescale transformations of implicit cultural norms are needed in order to actually welcome in the broader public, including dismantling white supremacy culture (Jones and Okun 2001) and providing much greater accommodations for different (dis)abilities such as live transcription and ASL interpretation. Additionally, not everyone has internet access, which is again disproportionately the case in Indigenous communities (Duarte 2017;Mattingly and Blu Wakpa 2021).…”
Section: Notesmentioning
confidence: 99%
“…Such speech which neither conforms to modern/ colonial traditions of theory-making, theory or formal speech instead, enfleshes dignified resistance and practices of a politics of life-making in which racialised and feminised subjects come into being-knowing-creating otherwise. Here theory and language as world-making is of and in the flesh and weaved through ceremony, dance, poetry, music, body-magic (Mattingly and Wakpa, 2021). In our special edition it is voice as (oral) story, metaphor and poetry that comes to the fore as such enfleshment of speech as onto-epistemological political difference.…”
mentioning
confidence: 95%