"Apu Ollantay": Inca Theatre as an example of the modes of interaction between the Incas and Western Amazonian societies

Bertazoni, Cristiana

doi:10.1590/s1981-81222014000100003

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“…However, it also turned out to be the region which the Incas struggled the most to subjugate, mainly due to the resistance of the Antis. As suggested elsewhere, it was possibly because the Antisuyu was the quarter in which the empire thrived the least that the Incas invested the most in ideological discourse, through a variety of media, in order to project an imperial discourse of superiority over its people (Bertazoni 2014(Bertazoni , 2007b, and see the parallels in Chapters 5. 3 and 5.4).…”

Section: Discussion and Final Considerationsmentioning

confidence: 86%

Anthropology

Hornborg¹

2020

Rethinking the Andes–Amazonia Divide

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This book is dedicated to John Hemming, who has crossed the Andes-Amazonia divide more than most, both intellectually and on foot, and to the memory of Tom Zuidema, whose chapter here constitutes the final publication in a long and distinguished career. vii Contents List of figures x List of tables xvi List of contributors xvii Introduction to maps and sources xxiv Elevation band colour ramp xxviii Introduction. Why Andes-Amazonia? Why cross-disciplinary? 1

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Section: Discussion and Final Considerationsmentioning

confidence: 86%

Anthropology

Hornborg¹

2020

Rethinking the Andes–Amazonia Divide

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“…Interessante ainda notar que a peça, embora registrada em caracteres ocidentais, guarda indícios que remontam a um sistema de escrita ancestral utilizada pelos incas anteriormente à chegada europeia, chamado quipu, baseado em sequências mnemônicas registradas no formato de nós em cordas. Os padrões numéricos utilizados na composição de Ollantay seguem o sistema decimal e duodecimal dos quipus: revela doze personagens que atuam ao longo de quinze cenas, a partir de quinze mudanças de cenários etc., conforme conclui estudo empreendido por Cristiana Bertazoni (2014).…”

Section: O Mergulho Do Condorunclassified

O Uirapuru, a Águia e o Condor: as literaturas indígenas de Abya Yala

Jacob

2022

R. Ilha do Desterro A J. of En. Language Lit. in English and Cu

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Neste artigo, objetivamos verificar as condições de surgimento das literaturas indígenas em contexto norte-americano, hispano-americano e brasileiro, em perspectiva comparada, a fim de compreender as interferências coloniais nesses processos. Foram utilizadas abordagens teóricas diversas, a exemplo das pesquisas de Hunt (2002), Fulford (2006), García Canclini (2008), Munduruku (2012), Del Valle Escandante (2013), Viveiros de Castro (2016) e Dorrico et al. (2018). A análise comprovou que, embora condicionadas por mecanismos ocidentais (mercado, público consumidor etc.), as obras indígenas tendem a não se adaptar ao mainstream, o que justifica a necessidade de interpretá-las a partir de seus contextos histórico-culturais.

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"Apu Ollantay": Inca Theatre as an example of the modes of interaction between the Incas and Western Amazonian societies

Cited by 2 publications

References 0 publications

Anthropology

Anthropology

O Uirapuru, a Águia e o Condor: as literaturas indígenas de Abya Yala

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