Uma falsa lição de anatomia ou de um simples caso de impregnação teórica dos fatos

Kickhöfel, Eduardo Henrique Peiruque

doi:10.1590/s1678-31662004000300009

Cited by 6 publications

(9 citation statements)

References 2 publications

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“…Some critiques believe that the references to the studies of anatomy of Michelangelo, emphasized by the authors, although needed for the argument, are not enough to sustain it (22). Besides, there is not a characterization of the period in question that supports the interpretations offered in order to approximate the culture of the Renaissance to documents as texts and drawings from Michelangelo's contemporary artists.…”

Section: Discussionmentioning

confidence: 99%

“…As the Michelangelo's frescoes in Sistine Chapel are anatomical tridimensional forms, many, according to the angle which are seen, serve both to interpretations of the authors as to many others, according to good will and creativity of the viewer, which in some cases, have to be extraordinarily strong. Thus, according to critiques, there would be no reason to think that in a series of frescoes with a distinctly theological plane, Michelangelo represented anatomical forms (22).…”

Section: Discussionmentioning

confidence: 99%

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1136 the Interpretation of the Figure of the Prophet Jonah by Michelangelo on the Ceiling of the Sistine Chapel: Anatomical Urological Vision

Reis¹,

Barreto²

2010

Journal of Urology

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Purpose: A detailed analysis in the iconography and pictorial appearance of the scene of the "Prophet Jonah" painted by the artist Michelangelo Buonarroti (1475-1564) on the ceiling of the Sistine Chapel between the years 1508 and 1512. Materials and Methods: Literature review on the Italian Renaissance period and the life of Michelangelo Buonarroti and analysis of historical aspects of the evolution of studies of human anatomy in this period and the works of the artist. Results: A comparative analysis of the representation of the fi gure of the fi sh on the left thigh of "Jonah" with a cross section of penis shows a curious similarity. The pictorial and iconographic analysis reveals an intensity of light on the pubic area and the position of the prophet with the legs spread apart and left hand placed on this region. A tube-shaped cloth covers the region and the angel at the side seems to be looking at this anatomical region of "Jonah". In fact, sets of iconographic and pictorial relate to the deciphered code. Conclusions: This description helps to confi rm the relationship of the Renaissance art with the human anatomy; science has been much studied in this period. The design of a cross section of the penis is revealed with the two cavernous bodies with the septum between them and the spongy body. Considering the circumstances in which Michelangelo had painted, subjectivity was fundamental due to religious motivations added to the vigorous implications of a limited scientifi c knowledge typical of that era. ABSTRAcTARTIcLe InfO _______________________________________________________________ _____________________

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Section: Discussionmentioning

confidence: 99%

Section: Discussionmentioning

confidence: 99%

1136 the Interpretation of the Figure of the Prophet Jonah by Michelangelo on the Ceiling of the Sistine Chapel: Anatomical Urological Vision

Reis¹,

Barreto²

2010

Journal of Urology

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“…In the case of anatomy, many 15th century artists possibly watched (and perhaps performed) dissections to create their paintings and sculptures, among other works, and it is prudent to think that they studied much more the anatomy of the surface of the body than the anatomical dissections themselves. said, such as those made in medical schools, and that their interest in the relationship between the forms and uses (in the sense of functions) of the human body is discussed (KICKHÖFEL, 2004).…”

Section: Developmentmentioning

confidence: 99%

Integration of Artistic Knowledge With the Teaching of Human Anatomy

Strini,

Oliveira

2024

JHS

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Human Anatomy is the science that studies the macroscopic structures of the human body and has been expressed over the centuries in great artistic works and cultural manifestations. Therefore, the objective of this work was to carry out a brief dissertation on the interactions between artistic and anatomical knowledge. For this issue, scientific texts capable of promoting the association of both contents were used, which can be represented through images, paintings, drawings, sculptures, various works and various auxiliary methodologies applied to these sciences. It can be concluded that knowing and deepening knowledge about anatomy and its manifestation through artistic and cultural works are capable of stimulating interest in the human body and its interaction with various areas of knowledge, encouraging the active search for information and promoting a integrated learning.

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“…A plateia era distribuída ao seu redor em diversos andares, respeitando uma hierarquia, ficando os ilustradores ao lado de Vesalius, como é mostrado na capa do seu grande livro De humani corporis fabrica (Figura 5). A extensa inclusão de ilustrações, trazendo uma nova compreensão dos textos anatômicos, associada a um maior dinamismo no aprendizado foram traços marcantes na sua maneira de ensinar anatomia 18 . Através de um corte transversal no nível dos átrios ventriculares demostrou que o sistema ventricular em humanos tem morfologia muito semelhante ao de alguns animais.…”

Section: Renascimentounclassified

Evolução Cronológica do Conhecimento Neuroanatômico

Georgeto¹,

Ziciarell²,

Aguiar³

et al. 2018

jbnc

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O presente artigo, sob a forma de revisão da literatura médica, revela a importância de se estabelecer uma análise histórica, na medida em que tal conhecimento apresenta-se como essencial para o entendimento aprofundado da anatomia do encéfalo. O conhecimento científico da humanidade evoluiu em fases, desde a antiguidade. Essa análise temporal, não só permite uma descrição extremamente interessante da evolução do pensamento científico da humanidade, como nos esclarece a maneira e o nível de profundidade com que as estruturas foram sendo compreendidas. Um adequado entendimento das estruturas e da função do sistema nervoso central com uma perspectiva temporal pode ser conseguido subdividindo-o em quatro fases: as descobertas e o conhecimento na Antiguidade, Idade Média, Renascimento e Era Contemporânea. Nessa revisão trataremos dos pensamentos incipientes da Antiguidade até a fase do pós-Renascença.

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Uma falsa lição de anatomia ou de um simples caso de impregnação teórica dos fatos

Cited by 6 publications

References 2 publications

1136 the Interpretation of the Figure of the Prophet Jonah by Michelangelo on the Ceiling of the Sistine Chapel: Anatomical Urological Vision

1136 the Interpretation of the Figure of the Prophet Jonah by Michelangelo on the Ceiling of the Sistine Chapel: Anatomical Urological Vision

Integration of Artistic Knowledge With the Teaching of Human Anatomy

Evolução Cronológica do Conhecimento Neuroanatômico

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