Índice de desvantagem vocal no canto clássico (IDCC) em cantores eruditos

Abstract

singers with vocal complaints and/or symptoms had higher handicap index in singing, expressed in subscales Impairment and Disability, without relationship with vocal classification.

Coro universitário: autopercepção de sintomas vocais e desvantagem vocal no canto

“…These were selected for this research by the fact that evaluate aspects that are related primarily to vocal health. There is research using the IDCC, but there are few published studies [12][13][14] .…”

“…Corals can exist in various places such as churches, schools, universities and companies. They are also found singers of various ages and or vocal symptoms have a higher handicap ratio in the corner, with higher expression in default subscales and disability, without any relation to the classification vocal 12 .…”

Índice de desvantagem para o canto moderno em cantores evangélicos de igrejas tradicionais e pentecostais

“…Recently some quality of life instruments addressed to singers were translated and valid to Brazilian Portuguese: Classic Singing Handicap Index (CSHI) 12 and the Modern Singing Handicap Index (MSHI) 13 .…”

Perfil de extensão vocal em coristas após técnica de vibração de língua associada a escalas

“…The voice of choristers is characterized by rich details in resonance, sound amplification and vocal range, such that the voice is emitted in a refined and harmonious manner, since this singing style does not allow a change from the original sound of the music 1,2 . In addition to exhibiting a heterogeneous dynamic that involves different age ranges, as well as amateur and professional singers, choristers are classified into voice types according to their specific vocal qualities.…”

“…In addition to exhibiting a heterogeneous dynamic that involves different age ranges, as well as amateur and professional singers, choristers are classified into voice types according to their specific vocal qualities. Moreover, they perform different adjustments to their larynx and vocal tract to reach the goal determined by the music and the conductor, in terms of quality, expression, vocal range and dynamic range 1,3,4 . However, before singing it is essential to warm up the vocal cords, since this allows the preparation and association between the respiratory, laryngeal and resonant systems, in addition to favoring longevity and vocal health, enhancing quality and increasing voice frequency and intensity [5][6][7] .…”