Abstract:Resumo Tendo por base os estudos de Diana Taylor, Anthony Pagden e Jean Starobinski, este ensaio analisa a forma como o filme Brava gente brasileira dramatiza alguns dos conflitos presentes na reencenação da descoberta durante os festejos do “Brasil 500”. O propósito é refletir sobre alguns dos intertextos envolvidos no processo de construção de um sentido de brasilidade.
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