Abstract:This study addresses Theodor W. Adorno’s dialectical literary criticism and shows how it arises from the critique of an alternative model of literary (and cultural) criticism, closer to the critique of ideology in its more traditional sense in texts from the 1930s written by two other authors affiliated with the Institute for Social Research in Frankfurt, Herbert Marcuse and Leo Löwenthal. In addition to describing Adorno’s view of these two ways of approaching literary objects and calling attention to their y… Show more
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