“…1 For more on VNA and its remarkable body of work, which includes more than 70 films, see Aufderheide (1995), Bloch (2004), Carvalho, Carvalho, andCarelli (2011), Córdova (2014), and Gallois and Carelli (1995 Barclay (2003), Ginsburg (1991Ginsburg ( , 1994Ginsburg ( , 1995Ginsburg ( , 1999Ginsburg ( , 2002Ginsburg ( , 2008Ginsburg ( , 2016, Prins (2002), Salazar and Córdova (2008), Smith (2012), Turner (1991Turner ( , 1992Turner ( , 1995Turner ( , 2002, Wilson and Stewart (2008), and Wortham (2013). 5 Here, I follow Poole's (1997) definition of visual economy as implying three mutually constitutive dynamics, including the schematics of production, circulatory regimes, and semantic systems through which images are assigned meaning and value.…”