Comparing Stage Presence and Virtual Reality Presence

Samur, Sebastian

doi:10.1590/2237-266058902

Cited by 7 publications

(5 citation statements)

References 11 publications

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“…The term immersion is often related to the concept of telepresence, which is the idea that one is not actually there, but feels as though, through a medium, they are in a remote environment (Klein, 2003;Steuer, 1992). However, more recently, telepresence has been merged into the idea of presence (i.e., you feel that you are "there" when you are in fact not "there") (Samur, 2016). Further, while some research defines presence as a more elevated sensory experience when compared with immersion (Samur, 2016), Mutterlein (2018) suggests that presence influences the feeling of immersion in a VR experience; immersion is further broken into the 88 categories of fluency (the participant finds concentrating easy to accomplish) and absorption (the participant does not notice time passing).…”

Section: Immersion and Presencementioning

confidence: 99%

“…While immersion and presence can sometimes be used interchangeably in VR literature (Samur, 2016), immersion is often influenced or moderated by the effect of presence (Mutterlein, 2018). That is, while people may know a VR simulation is an illusion, the effect of presence on immersion may allow them to react to what the system shows them.…”

Section: Immersion and Presencementioning

confidence: 99%

“…Participants most often responded with these phrases: 1) "This is so cool," 2) "This is crazy," 3) "Wow," 4) "Whoa," 5) "This is pretty neat," 6) "Oh my gosh," and 7) "This is incredible." In addition, statements from the category of VR presence and vividness (Dennis, 2010;Samur, 2016), two concepts that are part of overall immersion (Mutterlein, 2018), illustrated how the feelings of being in another place and interacting with colorful and vibrant video and games defied the experience that participants expected and anticipated.…”

Section: Surprisementioning

confidence: 99%

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“This Is So Cool”: A Phenomenological Study on Virtual Reality Novelty

Cox

Yetter

2022

JoCTEC

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Virtual reality (VR) technology often provides immersive experiences through which consumers can better understand how a product works or why they should invest in a product (Dennis, 2010). Consumers who use VR are often able to simulate authentic experiences that feel “real-life” (Diemer et al., 2015). VR experience has also been associated with the characteristics of immersion, presence, interactivity (Mutterlein, 2018), and vividness (Van Kerrebroeck et al., 2017). Novelty and first-time VR use have been investigated to some extent in research on education (Adams et al., 2009; Merchant et al., 2014), but VR novelty has not been studied in-depth in other disciplines. This study takes a phenomenological approach, which uses in-depth descriptions of participants’ experiences of a real-life phenomenon to understand those experiences better and lay the foundation for future studies (Cresswell & Poth, 2018). The research uses a sample of 27 participants who experienced VR for the first time and answered open-ended questions concerning that experience, in addition to demographic questions. Participants were given 30 minutes each to select from various VR games and YouTube 360 videos in their first-ever encounter with using a VR headset. In-depth field notes were taken during the experience by the researchers, and post-experience interview prompts for participants were based on previous studies on VR immersion and flow theory. This exploratory, phenomenological study provides three themes that emerged from the data: disorientation and immersion, surprise, and a gradual release on reality. Possibilities for future research and the addition of novelty to the technology acceptance model are discussed.

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Section: Immersion and Presencementioning

confidence: 99%

Section: Immersion and Presencementioning

confidence: 99%

Section: Surprisementioning

confidence: 99%

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“This Is So Cool”: A Phenomenological Study on Virtual Reality Novelty

Cox

Yetter

2022

JoCTEC

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“…The use of information management technology can also achieve performance process management, performance personnel management, clothing and props management, schedule management, team scheduling, etc. [13][14][15].…”

Section: Virtual Reality Technology and Stage Performancementioning

confidence: 99%

Influence of Virtual Reality Technology on Audience's Performance Behavior of Stage Music Performance Art

2020

IJMC

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Stage performance art has a long calendar, its cultural heritage is deep, and its strong infection form is loved by the audience. Under the new stage of micro media, however, the impact of the new stage is increasing. With the gradual loss of customer groups, the emergence of virtual reality technology has brought new life to this field. At the same time, the traditional relationship between watching and performing is also changing. However, the research on virtual reality technology and audience behavior of stage performance is almost blank. In view of this situation, this paper puts forward the research on the impact of virtual reality technology on audience performance behavior of stage music performance art. This paper is divided into three parts; the first part is theoretical research. Through the research, this paper believes that the traditional stage performance art has great market potential, but its development needs to combine with the latest science and technology, and the emergence of virtual reality technology makes the audience have a new experience. The second part is the model design of stage performance based on virtual reality technology, which optimizes the shortcomings of existing 3D display performance. In this paper, through the optimization of stage model making, motion simulation and control design, the comprehensive performance of the model is improved, and the display effect is greatly improved. The third part is the comparative test, which further verifies the actual effect of the model in this paper through the way of comparative experiment. The experimental analysis mainly focuses on the following, fluidity, diversity, collectivity and independence in the performance observation. Through the analysis of experimental data, we can see that the stage performance using virtual reality technology can bring a new immersive experience to the audience, which is more popular than the traditional performance form.

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“…Another study, by Jannett et al [4], describes the state of immersion as a player experience that is still not clearly defined, and proposes experimental methods to verify whether this experience can be defined quantitatively. A study by Samur [5] examines and compares different techniques used to achieve a digital presence in VR.…”

Section: A Immersive Player Experiences In Vrmentioning

confidence: 99%

Enhanced Player Interaction Using Motion Controllers for First-Person Shooting Games in Virtual Reality

Krompiec

Park

2019

IEEE Access

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The main purpose of virtual reality (VR) is to enhance realism and the player experience. To do this, we focus on VR interaction design methods, analyze the existing interaction solutions including both accurate and rough interaction methods, and propose a new method for creating stable and realistic player interactions in a first-person shooter (FPS) game prototype. In this research, we design and modify the existing mapping methods between physical and virtual worlds, and create interfaces such that physical devices correspond to shooting tools in virtual reality. Moreover, we propose and design prototypes of universal interactions that can be implemented in a simple and straightforward way. Proposed interactions allow the player to perform actions similar to those of real shooting, using both hands such as firing, reloading, attaching and grabbing objects. In addition, we develop a gun template with haptic feedback, and a visual collision guide that can optionally be enabled. Then, we evaluate and compare our methods with the existing solutions. We then use these in a VR FPS game prototype and conduct a user study with participants, and the resulting user study proves that the proposed method is more stable, player-friendly and realistic. INDEX TERMS Virtual reality, player interfaces, human computer interaction, interaction design, first-person shooting game. KYOUNGJU PARK received the B.E. degree in computer engineering from Ewha Woman's University, in 1997, and the M.S. and Ph.D. degrees in computer and information science from the University of Pennsylvania, in 2000 and 2005, respectively. After receiving her Ph.D., she was with Rutgers University, as a Research Professor, and with Samsung Electronics, as a Senior Engineer. In 2007, she joined Chung-Ang University, Seoul, South Korea, as a Faculty Member. Her research interests include virtual reality, and computer graphics and interaction.

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Comparing Stage Presence and Virtual Reality Presence

Cited by 7 publications

References 11 publications

“This Is So Cool”: A Phenomenological Study on Virtual Reality Novelty

“This Is So Cool”: A Phenomenological Study on Virtual Reality Novelty

Influence of Virtual Reality Technology on Audience's Performance Behavior of Stage Music Performance Art

Enhanced Player Interaction Using Motion Controllers for First-Person Shooting Games in Virtual Reality

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