Abstract:This Article presents aspects of Ilka Schönbein’s trajectory, a German puppeteer and dancer, in particular her game with the puppet and the singular way with which her images and her dance challenge the body. And it is these aspects that makes their images-bodies encounter the transgressive game and movements of Bataille’s and Georges Didi-Huberman’s eroticism. With them and Ilka, image and body are confused and, in this encounter, the image opens to the apparitions of the body: vital and funereal processes th… Show more
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