O som do ódio: explorando o uso das letras da música hatecore como estratégia de recrutamento pelo Movimento da Força Branca

Abstract

This study uses grounded theory to examine "hatecore" song lyrics used as a communication strategy to spread skinhead ideology. Results indicate that lyrics portray ethnic and religious minorities, and homosexuals as inferior and subhuman. Jews, the government and whites who oppose skinhead ideology are described as part of the problem. They are also used to recruit disenfranchised whites to the movement by defining them as disempowered and losing influence as "others" gain it as well as through positive messages of white racial pride. As with other social movements, results indicate that power plays a central role in defining the problem facing disenfranchised whites, the cause, and prescribing solutions found in hatecore song lyrics.

Hacker's Paradise: Analysing Music in a Cybercrime Forum

“…Numerous researchers explore the links between specific kinds of music and criminal or radical behaviour. Martinez and Selepak [5] show that "hatecore" lyrics are used by the White Power Movement as a recruiting strategy by portraying ethnic, sexual and religious minorities as easy scapegoats for the anger felt by some and encouraging them to fight back. Osmanović and Ena Kazić-C ¸akar [6] analyse the lyrics from one of the most famous rap duos from Bosnia and Herzegovina and also survey the local student population.…”

El 'sonido del odio' como arma política de la extrema derecha española

“…Además, se configuraron patrones identitarios que ensalzaron el poder blanco (Taylor & Rambo, 2013) a través de melodías, canciones, imágenes propagandistas y violencia. La acción directa predominó en este sector y sus primeras víctimas fueron estudiantes de la London School of Economics and Political Science (Viñas i Gràcia, 2013), miembros del colectivo LGBTIQ (Martínez Belio & Selepak, 2014) contra los que usaron la práctica queer bashing o fag bashing (Viñas i Gràcia, 2013) que se traduce como "golpear/aplastar a maricones" y, por último, contra las minorías raciales a través del paki-bashing (Brown, 2004) que, aunque hacía referencia a los paquistaníes porque era uno de los grupos foráneos que predominaban en el país, incluía a todos los inmigrantes. DOI: https://doi.org/10.24215/18530494e025 También crearon unos ritos escénicos que, acompañados con alcohol y con sustancias psicotrópicas, imitaban danzas guerreras.…”