AbstrakPenelitian ini bertujuan untuk mengidentiksasi seni dan budaya bernuansa keagamaan yang masih eksis di kota Palu dan Kabupaten Poso Sulawesi Tengah meliputi sistem agama dan politik, adat istiadat, bahasa, perkakas, pakaian, bangunan, dan karya seni. Penelitian ini bersifat deskriptif-kualitatif. Adapun langkah-langkahnya dilakukan melalui eksplorasi, inventarisasi, dan kajian atas nuansa keagamaan dalam seni dan budaya tersebut. Adapun sebaran berdasarkan nuansa agama pada nama-nama seni dan budaya keagamaan tersebut terdiri dari: 4 buah bernuansa animisme/dinamisme yaitu: Patung Tadulako, Patung Langke Bulava, Kalamba, dan Patung Palindo; 12 buah bernuansa Islam yaitu: musik Kakula, Upacara Nopamada, Musik Gambusu, Rabana, Suaka Nuwiata, mantra untuk percintaan, mantra untuk menundukan orang sombong, mantra untuk bertani, tradisi selamatkan jabang bayi, upacara tolak bala sebelum melaut, Nogero Jene (Membatalkan Air Wudu), dan Tari Jeppeng; 3 buah bernuansa Kristen yaitu: Padungku (Upacara Paska Panen), Upacara perkawinan Adat Pamona, dan Adat Pesta Rambu Solo, 2 buah bernuansa Hindu yaitu: Upacara Potong Gigi dan Krama Adat Kerta Winangun. Kata kunci: seni budaya, bernuansa keagamaan, musik kakula, musik gambusu. AbstractThis study aims to identify religious art and culture that still exist in the city of Palu and Kabupaten Poso, Central Sulawesi, covering religious and political systems, customs, language, tools, clothing, buildings and artwork. This research is descriptive-qualitative. The research steps were conducted through exploration, inventory, and studies on religious nuances in the arts and culture. The distribution based on religious nuance in the names of art and religious culture
Abstract. Many Muslims in the Riau Islands do not know the history of the development of Islamic theory from the center of power to spread to various corners. This is as the existence of the Great Mosque of Raja Haji Abdul Ghani (MBRHAG) on Buru Island, Karimun. Thus, to uncover the existence of this mosque, qualitative research methods are used so that history, architecture, and socio-religious functions can be known. Based on the results of the study it was concluded that the establishment of MBRHAG was initiated by Raja Haji Abdul Ghani. He was the first Amir (sub-district level government) of the kingdom of Riau-Lingga on Buru Island, in the 19th century. The architecture is a Chinese. Therefore, on the right side of this mosque is around 200 m, there is also the Sam Po Teng Temple and the Tri Dharma Dewa Bumi. Thus, the close location of the mosque with Chinese and Confucian worship houses's shows a harmonious relationship between Malay Muslims and Chinese Buddhists. In fact, in the continuation of this relationship there was information that a Chinese Buddhist had joined a Muslim friend to fast for half a month of Ramadan.Keywords: Mosque, Malay Muslims, Chinese Buddhists/Confucians, Harmonious RelationsAbstrak. Umat Islam di Kepulauan Riau banyak yang tidak mengenal sejarah perkembangan ajaran Islam dari pusat kekuasaan hingga tersebar ke berbagai pelosok. Hal ini sebagaimana keberadaan Masjid Besar Raja Haji Abdul Ghani (MBRHAG) di Pulau Buru, Karimun. Dengan demikian, untuk mengungkapkan keberadaan masjid ini digunakan metode penelitian kualitatif agar dapat diketahui sejarah, arsitektur, dan fungsi sosial keagamaannya. Berdasarkan hasil penelitian diperoleh kesimpulan bahwa pendirian MBRHAG diprakarsai oleh Raja Haji Abdul Ghani. Ia adalah Amir (pemerintah setingkat kecamatan) pertama kerajaan Riau-Lingga di Pulau Buru, pada abad ke-19. Adapun arsitekturnya adalah seorang Tionghoa. Karena itu, di sebelah kanan masjid ini sekitar 200 m juga terdapat Kelenteng Sam Po Teng dan cetya Tri Dharma Dewa Bumi. Dengan demikian, dekatnya lokasi masjid dengan rumah ibadah umat Tionghoa dan Khonghucu ini menunjukkan hubungan yang harmonis antara muslim Melayu dengan Budhis Tionghoa. Bahkan, dalam kelangsungan hubungan ini terdapat informasi seorang Buddhis Tionghoa pernah ikut temannya yang beragama muslim untuk berpuasa selama setengah bulan Ramadhan.Kata Kunci: Masjid, Muslim Melayu, Buddhis/Khonghucu Tionghoa, Hubungan Harmonis
The current research is aimed to trace and find out the ancient coins from Arabic found in the archipelago and their relation to literacy related to the history of the Islamization process and the accelerated development of Islamic civilization in this region. As a preliminary study, this research was conducted with an exploratory approach intended to collect data for the first stage in the historical research method, namely heuristics. Focus Group Discussion (FGD), observation, and interviews with various relevant stakeholders were conducted to collect the data. The assumption of this study was based on tentative findings of Ery Soedewo and Ichwan Azhari. The ancient coins found in Nusantara are Dirham (silver coins) from the Sasanid Empire with the Persian-Majusi symbol from the 7th century found in North Sumatra. In this area, dirhams with Arabic-Islamic inscriptions during the Umayyad Caliphate in the 7th and 8th centuries are also found. They were still produced during the Abbasid Caliphate to the 10th century. Some of the coins are stored in the North Sumatra Money Museum, The Museum of Quranic History in Medan, and a collector in Palembang, South Sumatra. This Finding correlated with Buya Hamka's notion of Islam's advent in the archipelago beginning in the first century of Hegira (seventh century AD). Michael Flecher's research on the Belitung Wreck site comes from the eighth century AD, estimated shipped from Arabia. The result indicates that The trading activities influenced Islamic spread in Indonesia from Arab to Indonesia. The coins as a means of exchange also coined the most fundamental Islamic principle, tauhid.
AbstrakNaskah berisi tulisan tentang identifikasi sifat-sifat wajib bagi Allah dan Rasul dalam bahasa Sunda yang mengacu kepada Umm al-Bar±h³n pada umumnya belum dieksplorasi dengan baik hingga akhir abad ke-20.
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