Abstract. In this paper we investigate the use of Latent Semantic Analysis (LSA), Critiquing Systems, and Knowledge Building to support computerbased teaching of English composition. We have built and tested an English Composition Critiquing System that make use of LSA to analyze student essays and compute feedback by comparing their essays with teacher's model essays. LSA values are input to a critiquing component to provide a user interface for the students. A software agent can also use the critic feedback to coordinate a collaborative knowledge building session with multiple users (students and teachers). Shared feedback provides seed questions that can trigger discussion and extended reflection about the next phase of writing. We present the first version of a prototype we have built, and report the results from an informal experiment. We end the paper by describing our plans for future work.
The significant development of artificial neural network architectures has facilitated the increasing adoption of automated music composition models over the past few years. However, most existing systems feature algorithmic generative structures based on hard code and predefined rules, generally excluding interactive or improvised behaviors. We propose a motion based music system, MoMusic, as a AI real time music generation system. MoMusic features a partially randomized harmonic sequencing model based on a probabilistic analysis of tonal chord progressions, mathematically abstracted through musical set theory. This model is presented against a dual dimension grid that produces resulting sounds through a posture recognition mechanism. A camera captures the users' fingers' movement and trajectories, creating coherent, partially improvised harmonic progressions. MoMusic integrates several timbrical registers, from traditional classical instruments such as the piano to a new ''human voice instrument'' created using a voice conversion technique. Our research demonstrates MoMusic's interactiveness, ability to inspire musicians, and ability to generate coherent musical material with various timbrical registers. MoMusic's capabilities could be easily expanded to incorporate different forms of posture controlled timbrical transformation, rhythmic transformation, dynamic transformation, or even digital sound processing techniques.
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