JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@jstor.org. This content downloaded from 128.235.251.160 on Thu, 12 Mar 2015 05:12:15 UTC All use subject to JSTOR Terms and Conditions GRAMOPHONE RECORDS GRAMOPHONE RECORDS GRAMOPHONE RECORDS GRAMOPHONE RECORDS GRAMOPHONE RECORDS ARNE Songs to Shakespeare Plays. Forrester/ Young/Vienna Radio Orchestra/Priestman HMV 0 CDS 1572, ? CLP 1804 (32s) A charming collection which includes a number of settings virtually forgotten since the 18th century.The initial impression of uneven Shakespearean word-rhythms being forced into classical 18thcentury patterns is deceptive. By modern standards that may be true, but the delight of these songs, the expression of Arne's imagination, lies rather in contravention of the standard forms and patterns of his day. There is a clarity and freshness about his melodies which take one out of the world of the artsong. Maureen Forrester and Alexander Young make excellent soloists, and the Viennese musicians respond very brightly to Brian Priestman's direction. Priestman has edited three of the songs; the remaining twelve are in Percy Young's editions. Recording excellent. E.G. BRAHMS Sextet No 1 in B flat, op 18; Scherzo in Cminor. Menuhin/Masters/Aronowitz/Wallfisch/ Gendron/Simpson HMV 0 ASD 587, ? ALP 2038 (37s 6d) Anyone who has ever doubted the advantage of stereo in chamber music should hear this, for the extra reality of the sound is inescapable. This is generally an easier-going, more relaxed performance than the Stern/Casals one still available on Philips bargain label (GBL 5623). That Prades ensemble turned the variation slow movement into an impressively grim funeral march, while Menuhin, evidently thinking the music square enough already, takes a very different view. As a fill-up Menuhin and his sister Hephzibah play the scherzo which Brahms wrote for the composite FAE sonata. E.G. BRAHMS Cello Sonatas Nos 1 and 2. Navarra/Holecek SUPRAPHON 0 SUA ST 50043, 0 SUA 10375 (17s 6d) Andre Navarra has over the years made some of the finest of all cello recordings, and this is certainly one of them, the most powerful and intensely felt accounts of each work ever issued. Listen to the opening of the E minor: the sinuous weaving of the melody played in breathtaking half-tones is magical. In the F major Navarra's toughness and strength are beyond praise, giving the work the supra-sonata status it clearly demands. The only snags to the issue-and the price is very reasonable, rememberare that the balance favours the cello, and that on the review copy the surface was noisy. E.G. DEBUSSY Pelleas et Melisande. Spoorenberg/ Maurane/London/Hoekman/Suisse Romande/ Ansermet DECCA 0 SET 277-9, ? MET 277-9 (?6) 'The difficulty of interpreting and particularly of recording this w...
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